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Twenty years since its release, Stanley Kubrick's Eyes Wide Shut remains a complex, visually arresting film about domesticity, sexual disturbance, and dreams. It was on the director's mind for some 50 years before he finally put it into production. Using the Stanley Kubrick Archive at the University of the Arts, London, and interviews with participants in the production, the authors create an archeology of the film that traces the progress of the film from its origins to its completion, reception, and afterlife. The book is also an appreciation of this enigmatic work and its equally enigmatic creator.
The first three books in the Irish End Game series take an average American family and puts them in the middle of a post-apocalyptic melt-down in a rural setting in Ireland. Free Falling shows the family "when the bomb drops" and how they're able to learn what they need to do to survive. Going Gone continues their story when Sarah is brutally taken from the home she has created in Ireland and risks life, limb and much much more to return to her family. Heading Home tells the story of rescue finally coming--and how that turns into the biggest upheaval of all. These books are thrilling page-turners that will have you stocking your pantry for the apocalypse and wondering how well you really know your neighbors.
Amicus returns, applying his acerbic wit to the musical murder of a jazz singer.
A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation isoften manifest in the interpretation of Western art music more generally. Edmund Goehri...
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The auxiliary do (tun) is one of the most-discussed constructions in West Germanic. In German, there is a striking opposition between modern standard German, where the construction is virtually ungrammatical and considered to be "sub-standard" by most speakers, whilst, as this book shows, the construction is attested in all modern dialects as well as historic stages since 1350. In answering why auxiliary tun is ungrammatical in modern standard German, it is shown that the stigmatization of tun was caused by prescriptive grammarians in the 16th-18th century. Furthermore it is shown that the stigmatization of tun as "bad" German occurred in clearly discernible stages, from bad poetry (1550-1680), to bad written German (1680-1740) and finally to "bad" German in general (after 1740), thus providing evidence that the history of the standardization of German needs to take into account direct metalinguistic comments from prescriptive grammarians. The effectiveness of linguistic purism is also shown by evidence from two other constructions, namely polynegation and double perfect.
Focuses on childhood in the Age of Goethe, in addition to various other topics and works. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. Volume 14 features a special section on childhood in the Age of Goethe, co-edited with Anthony Krupp. In addition, readers will find two essays illuminating Goethe's Triumph der Empfindsamkeit, an inspired reading of Das Märchen again...
Although more recent critics have discerned an empowered female subject in Novalis, this is the first balanced, book-length study of gender in Novalis in English. It concludes that Hardenberg's Romantic writing began to be successful in reinventing the "fiction" of female identity, and goes further to reveal his extensive interaction with women as intellectual equals."--BOOK JACKET.
Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.