You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The first book in a two-part series that examines the unique Canadian experience and outlook in regard to generalship and the art of the admiral.
The Red Knight was the product of thirty years of meticulous research by aviation historian John Charles Corrigan. It is arguably the most comprehensive account ever written about the Royal Canadian Air Force’s legendary solo jet-aerobatics program. Now the author follows up that important work with The Red Knight Aircraft, a careful documentation of the triumphs and tragedies of each of the aircraft used by the program between 1958 and 1969. John digs into the stories of the four Silver Stars and two Tutors. He pays tribute to the pilots who gave their lives trying to push the limits of aerobatics, and the people connected to this colourful part of Canada’s past. Also included are the c...
None
None
Eccentric Laughter explores new ways to watch postwar British film comedies, arguing that their representations of eccentricity offered a set of possible queer futures for a Britain that had been destabilized by years of conflict and social upheaval. Far from being the apolitical cinema described by previous critics, these comedies—including both perennial favorites from Ealing Studios and neglected films ripe for rediscovery—make a joke of and suggest alternatives to the heterocentric home and family. Referencing a wide range of theories, the book gives details of how these films' comic queernesses are not structured on fixed identities but on an open play of possibilities, depicting eccentricity, artifice, drag, ruins, and the wild in ways that can still offer inspiration for experiments in living today. Engaging with contemporary queer theories and politics, the book argues that these films continue to address questions of urgent relevance to students and other viewers in the twenty-first century. Films discussed include The Belles of St. Trinian's, Genevieve, The Lavender Hill Mob, Simon and Laura, The Stranger Left No Card, and Young Wives' Tale.
Providing insight into the impact media convergence has had on the radio industry, this new edition delivers an excellent introduction to the modern radio production studio, the equipment found in that studio, and the basic techniques needed to accomplish radio production work. New chapters addressing the basics of field recording, production planning, and sound for video are included, as well as a renewed emphasis on not just radio production, but audio production. Featuring a worktext format tailored for both students and teachers, self-study questions, hands-on projects, and a CD with project material, quizzes, and demonstrations of key concepts, this book offers a solid foundation for anyone who wishes to know more about radio/audio equipment and production techniques.
How did the coming of colour change the British film industry? Unlike sound, the arrival of colour did not revolutionise the industry overnight. For British film-makers and enthusiasts, colour was a controversial topic. While it was greeted by some as an exciting development – with scope for developing a uniquely British aesthetic – others were deeply concerned. How would audiences accustomed to seeing black-and-white films – which were commonly regarded as being superior to their garish colour counterparts – react? Yet despite this initial trepidation, colour captivated many British inventors and film-makers. Using different colour processes, these innovators produced films that dem...
American International Pictures was in many ways the "missing link" between big-budget Hollywood studios, "poverty-row" B-movie factories and low-rent exploitation movie distributors. AIP first targeted teen audiences with science fiction, horror and fantasy, but soon grew to encompass many genres and demographics--at times, it was indistinguishable from many of the "major" studios. From Abby to Zontar, this filmography lists more than 800 feature films, television series and TV specials by AIP and its partners and subsidiaries. Special attention is given to American International Television (the TV arm of AIP) and an appendix lists the complete AITV catalog. The author also discusses films produced by founders James H. Nicholson and Samuel Z. Arkoff after they left the company.
Following a three-year cycle, an International Workshop on the Marine Flora and Fauna of Hong Kong and Southern China was convened at the Swire Institute of Marine Science of the University of Hong Kong from 2-20 April 1995. Sixteen scientists from six countries and fifteen scientists and students from Hong Kong investigated aspects of the marine flora and fauna of the Cape d'Aguilar proposed marine reserve and the southeastern waters of Hong Kong. The marine flora and fauna of this area of Hong Kong is poorly known and, like others locally, is threatened by pollution. Such broad-based studies of this area of Hong Kong's waters are needed urgently. The Proceedings of the workshop contain thi...