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Profane & Sacred examines religious discourse in contemporary Latino/a fiction, exploring how religion creates, mediates or changes Latino culture and identity. Much contemporary literary criticism on Latino/a literature has focused on the bilingual and bicultural nature of Latino identity, history and cultural production. But just as the multiplicity of cultures and languages has shaped Latino identity and history, so too has religion. Studying the religious discourse found in fiction can clearly enrich not only our perception of the diversity within the Hispanic communities, but also the diversity between sociologists and creative writers.
When Marina and Federico got married everything seemed to be perfect. She had found a very loving and compassionate man that she desired to live her life with until she was old and grey. Marina was overjoyed when her husband introduced four wonderful, beautiful women to be house servants to assist her in the house while she could concentrate on her writing and art. However, unknown to Marina, these four women had come from the town brothel in which Federico owned. Also, unknown to Marina, these four women which would become her dear and most trusted friends were also charged with providing her husband the services of their bodies whenever he chose to indulge in them. It was not until returning a damaged man after severe amnesia from the First World War that Federico brought his sexual depravities into his bed of matrimony. Conflicted, Marina confronted him to stop; this led to Marina's, the servants, and his pregnant mistress to be put to death at Federico's hands....
In 1981 a beautiful lady appeared to 6 young people in the village of Medjugorje in what is now Bosnia-Herzegovina. She told them that She was the Blessed Virgin Mary, the Queen of Peace, and came with a message of peace. She has continued to appear since 1981 to give messages to the world of peace, love and joy. She is confiding ten secrets to each visionary (some are chastisements for the world) and promises to leave a visible sign at the place of the apparitions in Medjugorje for all humanity. This time, this period of grace, is for conversion and deepening faith. After the visible sign, those living will have little time for conversion. Many books have been written about Medjugorje, but ...
Elena Gorokhova’s A Mountain of Crumbs is the moving story of a Soviet girl who discovers the truths adults are hiding from her and the lies her homeland lives by. Elena’s country is no longer the majestic Russia of literature or the tsars, but a nation struggling to retain its power and its pride. Born with a desire to explore the world beyond her borders, Elena finds her passion in the complexity of the English language—but in the Soviet Union of the 1960s such a passion verges on the subversive. Elena is controlled by the state the same way she is controlled by her mother, a mirror image of her motherland: overbearing, protective, difficult to leave. In the battle between a strong-willed daughter and her authoritarian mother, the daughter, in the end, must break free and leave in order to survive. Through Elena’s captivating voice, we learn not only the stories of Russian family life in the second half of the twentieth century, but also the story of one rebellious citizen whose curiosity and determination finally transport her to a new world. It is an elegy to the lost country of childhood, where those who leave can never return.
The story is an imaginative and spirited narrative embracing both diversity and universality. Set in small-town America, the novel's main characters, six Russian newcomers, provide a fresh perspective on a close-knit college community. Two couples, one child, and a single woman make up the core group. The story follows them and offers to the reader the unique opportunity to explore not only the surface differences between Russian and American lifestyles, but the more profound similarities. Uncertainty, infidelity, and betrayal plague both the immigrants and their fellow townsfolk, but such universal redeemers as love, family, and friendship are the fundamental ties that bind. Narrowed to a specific fourteen-month time frame, but enhanced with flashbacks and epilogue, the novel shows everyday life in both countries. Jealousies, lusts, and misdemeanors (and even organized crime!) have their place, as do finer passions for truth, learning, love, and simple neighborliness. The novel is, by turns, tragic and heart-warming, passionate and instructive, but always, and ultimately, hope-filled.
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Written by locals, Fodor's travel guides have been offering expert advice for all tastes and budgets for 80 years. Filled with color photos as stunning as the region itself, Fodor's The Carolinas and Georgia delivers the best of the South from the pristine waters of the Outer Banks to genteel Charleston and bustling Atlanta and everywhere in between. Beaches, golf courses, mountains, Southern food, and historical and cultural sites keep travelers coming back. This travel guide includes: · Dozens of full-color maps · Hundreds of hotel and restaurant recommendations, with Fodor's Choice designating our top picks · Multiple itineraries to explore the top attractions and what’s off the beaten path · Coverage of The North Carolina Coast; Central North Carolina; Asheville and the North Carolina Mountains; Great Smoky Mountains National Park; Myrtle Beach, SC, and the Grand Strand; Charleston, SC; Hiltonhead, SC, and the Lowcountry; The Midlands and the Upstate, SC; Savannah, GA; Georgia's Coastal Isles and the Okefenokee; Southwest Georgia; Atlanta, GA; Central and North Georgia Planning to focus on Savannah? Check out Fodor's travel guides to Savannah.
Explores the conceptualisation of childhood in South Asia and comments on the shift from welfare to the protection of children's rights in the region.
In the early grades, talking and drawing can provide children with a natural pathway to writing, yet these components are often overlooked. In Talking, Drawing, Writing: Lessons for Our Youngest Writers , authors Martha Horn and Mary Ellen Giacobbe invite readers to join them in classrooms where they listen, watch, and talk with children, then use what they learn to create lessons designed to meet children where they are and lead them into the world of writing. The authors make a case for a broader definition of writing, advocating for formal storytelling sessions, in which children tell about what they know, and for focused sketching sessions so that budding writers learn how to observe mor...