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Manojan and Surabhi's peaceful life is shattered when Manojan's father, Vijayan, files a case against them for not having children. Manojan suffers from a phobia, which has prevented them from starting a family. As the legal battle unfolds, the couple is forced to confront their deepest fears and secrets, and they find themselves struggling to defend their choices and their love for each other with the help of their friends and family. A heartwarming and hilarious journey of self-discovery for a couple struggling with their fears and societal pressures. A delightful and engaging story that will make you laugh and cry. "A Nutty Affair," Presenting the first ever Screenella to you all I hope you will all enjoy it.
Presents India's greatest film-maker on the art and craft of films. Speaking of Films brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar, the incredible memory of the seventy-five-year-old Chunibala Devi, Indir Thakrun of Pather Panchali, and her remarkable attention to details.
It was a small island in the middle of a big river, and just large enough for Sita and her grandparents to live with their three goats, the hens, a vegetable patch and a peepul tree. But one day, the river flooded and took everything with it, including Sita. How will Sita survive when the angry river sweeps her away? Find out in this classic story of courage and friendship, now in a brand new look.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produc...
"The film posters of Bollywood have a long history, and it is brilliantly celebrated here. The posters span the entire history of Hindi movies, from the early twentieth century to the present day. Bollywood movies are a much-loved phenomenon, and this celebratory book will have an avid audience among its fans. But its appeal extends beyond that--graphic designers and artists will find much to inspire them as well'--Cover, p. 2.
History of Indian Cinema is a concise database chronicling 98 years of Indian cinema, from its inception in 1913 to months before the date of publication. Author Renu Saran takes a look at Hindi cinema as well as regional cinemas, listing the successful and path breaking movies of each age, major actors and directors and awards and achievements, arranged according to region and industry. This book also includes a set of interesting inside details about the functioning of the industry in different points of time, such as the training facilities available to actors, the process and criteria for film certification and the kind of equipments used. This kind of information would capture the imagi...
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