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Published to accompany an exhibition held at Skarstedt Fine Art, New York, 8 November - 20 December 2006.
Text written in German.
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Published to accompany the exhibition of the same name held at Parrish Art Museum, Water Mill, New York, 30 July-16 October, 2016.
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Loosely adapted from the nineteenth-century river scenes of George Caleb Bingham, David Salle's latest paintings of boats, water and abutting wedges of landscape are completed by panels reprising the iconic women of his 1980s paintings. This slim volume reproduces a selection of works from Salle's 2011 exhibition at Mary Boone Gallery in New York.
Together for the first time in a comprehensive exhibition, Skarstedt is delighted to present Richard Prince: Protest Paintings (1989 - 1994), the artist's sixth solo exhibition at the gallery. Devoted solely to this exceptional body of work and including paintings from across the entire series, the detailed catalogue of the Protest Paintings was published to accompany the exhibition. Featuring paintings from public and private collections, the exhibition demonstrates the breadth of Prince's creativity in this singular body of work. The range of paintings on show includes monochrome canvases with printed and handwritten jokes, patterned canvases with block text and brightly coloured abstract ...
Eric Fischl: Early Paintings focuses on nine of Fischl's paintings from 1979 to 1989, and reintroduces the work that first established him as a postmodern Edward Hopper and significant American artist. In these now classic, voyeuristic scenes of American everyday life in backyard barbeques, beach resorts and intimate interiors, the seemingly banal takes on uncomfortable, and at times ominous tones.
Peggy Guggenheim needs little introduction for her contributions to twentieth-century art. Yet her formative years as a gallerist and her London gallery, Guggenheim Jeune, that she opened at the age of forty, have been relatively overlooked. Situated in a former pawnbroker's shop at 30 Cork Street, Guggenheim Jeune operated for eighteen months between January 1938 and June 1939. While its lifespan may have been brief its influence was considerable, both on the art world at the time and on Guggenheim herself; by the time Guggenheim Jeune closed she was a self-confessed art addict. Peggy Guggenheim and London, on display from 24 September until 14 December 2019, is intended as an anniversary c...
The definitive monograph of the outrageous, unorthodox New York painter George Condo