You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The first collection of plays by one of Britain's most original dramatists This first volume of Snoo Wilson's plays contains a mixture of his best early work from the 1970s and more recent efforts. Long considered to be a legend of Fringe theatre, Snoo Wilson's early plays had such absurd titles as Girl Mad as Pigs and Ella Daybellfesse's Machine. All of Wilson's plays search out strange psychological states in his characters and situations. Blowjob is a dark study in alienation and violence; in Pigsnight a Lincolnshire farm is taken by a sinister gang and turned into a machine for the organised butchering of animals. The Soul of the White Ant explores the weird world of the South African naturalist Eugene Marais whose ideas about a corporate soul lead to insanity. The volume also includes two plays with a Freudian perspective: More Light and Darwin's Flood. The volume includes an introduction by the author and notes by his various collaborators. "Snoo Wilson tackles dark pockets of human endeavour with an original wit and a savage humour" (Financial Times).
A surreal fantasy plunging Sir Arthur Conan Doyle into a perilous intergalactic conflict Sir Arthur Conan Doyle - the author, spiritualist and creator of the great rationalist detective, Sherlock Homes - is in search of home-grown fairies in the English village of Cottingley. Suddenly he is catapulted into another world and while impending collision with the meteorite Caledonia threatens catastrophe, he embarks on a fantastic journey with Abraxas 365, the god of gods, to meet the malevolent media magnate Moloch and his raving teenage daughters. "Weird and wonderful happenings in Plymouth as Sir Arthur Conan Doyle is discovered in search of fairies..." (Guardian)
"An epic, psychedelic and electrifying trip through the life of Alan Turing, the computer visionary and maths genius whose gifts made him the code-breaking hero of World War II, but whose homosexuality led him to betrayal and vilification by the very establishment who had depended on him for victory"--Page 4 of cover.
A second collection of plays from one of Britain's most original dramatists This second volume of plays includes Vampire: 'The height of comedy, a manic, hellzapoppin of invention, sliding from verbal frolics to pure slapstick' (The Times); The Glad Hand: 'A full-blooded theatrical experience which is also - praise be - good fun to watch. Its energetic, imaginative nonsense spills out ideas, situations, crises, comedy and political harangue in a fire-work display of non-sequitur, whiz-bang high spirits' (Sunday Telegraph); The Grass Widow: 'Hilariously confirms that Mr Wilson is the liveliest and most enlivening English dramatists of his generation' (Sunday Telegraph); Sabina: A typically surreal and unrestrained work ... wonderfully theatrical.' (Tribune) "Snoo Wilson tackles dark pockets of human endeavour with an original wit and a savage humour" (Financial Times).
A key figure in new British drama, Dominic Dromgoole has witnessed the explosion of new writing that took place throughout the 90s.
This book, first published in 1980, is a comprehensive study of the radical theatre movement in Britain from 1968 to 1978. The essays are based on first-hand interviews, with each section being introduced with a summary of key events before detailing the artists under examination.
The University of East Anglia at Norwich was one of a number of new universities founded in Britain in the 1960s in response to the need to increase the provision for higher education. Remarkable for its architecture, primarily by Denys Lasdun, and for its superb Sainsbury Art Collection, its history is a telling commentary on the opportunities and problems faced by British universities over the last forty years. The History of the University of East Anglia Norwich is a full account of UEA's foundation, growth and distinctive character. Michael Sanderson highlights both the university's successes and failures, at the same time painting a picture of life, teaching and research on the campus. By examining the real problems faced by a leading British university, he has provided an important contribution to British educational history.
The year 1956 marked a point when British drama and theater fell into the hands of a group of young playwrights who revolutionized the stage. During that time, playwrights such as Samuel Beckett and Harold Pinter made the British theater as rich, varied, and vital as any national theater in history. This reference chronicles the history of British theater from 1956 to 1995 by providing detailed information about the playwrights of that period. Included are entries for some three dozen British playwrights active between 1956 and 1995. Entries are arranged alphabetically to facilitate use. Each entry supplies biographical information, the production history for particular plays, a survey of the playwright's critical reception, an assessment of the dramatist's work, and primary and secondary bibliographies. A selected, general bibliography at the end of the volume directs the reader to important sources of additional information about this period in theater history.
With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provides an authoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The Alchemist to The Talking Cure, the Guide is both biographically detailed and critically current, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.