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Cuando en un rectángulo convergen treinta autores seleccionados en una convocatoria abierta, doce textos invitados y más de cuarenta ilustraciones, obtienes esto: una seductora antología sobre la experiencia del aislamiento. Una vez que te asomes en ella te sorprenderá la variedad de sensaciones, hallazgos, temores y deseos que puede suscitar en cada ser humano el abrazo de las cuatro paredes, mientras el aire del contagio masivo sopla en la calle. Mírate en este espejo, amable lector: encontrarás en él no una sola imagen sino un mosaico de breves prosas poéticas, ensayos e incluso narraciones que trazan un paisaje literario multicolor. Descubre algo de ti en estas páginas y averigua a dónde llevan los portales que el distanciamiento social ha abierto en las pantallas de nuestra conciencia.
A cinco años de haber iniciado el proyecto del Corpus sociolingüístico del habla de Guadalajara, hemos concluido la transcripción y terceras revisiones de las 72 grabaciones representativas de hombres y mujeres de tres niveles de instrucción y de tres grupos generacionales, según la metodología del Proyecto de Estudios Sociolingüísticos del Español de España y de América (PRESEEA), coordinado por Francisco Moreno Fernández, con el apoyo de Ana María Cesteros Mancera en la coordinación técnica. El presente volumen se compone de cinco partes. En la primera, «El estudio del habla de Guadalajara. Antecedentes», abordamos los corpus sobre el habla de la ciudad que han antecedido...
Repentinamente, en marzo de 2020 nos colmamos de incertidumbre, fatalismo y esperanza. Como si alguien más hubiera escrito justo lo que temíamos, sentíamos o imaginábamos con locura, de pronto notamos que el mundo ya giraba diferente y que habría de resguardarse en casa: el enemigo invisible extendía su alcance y su rastro. Esas lejanas, peliculescas distopías se volvieron la inquietante realidad. Como algo había que hacer con ella para preservar unas pizcas de cordura, la convertimos en un concurso literario. Minificciones desde el encierro antologa los cincuenta microrrelatos ganadores de esa convocatoria, lanzada apenas unos días después del inicio de la cuarentena que nos tomó a todos incrédulos pero también creativos. Nunca sabremos si los autores habrían escrito otras historias ya habituados al confinamiento, lo que sí es seguro es que estos magníficos textos —junto con algunos más de plumas consagradas— son un testimonio de la forma en que afrontamos, desde el ingenio verbal, la crisis sanitaria causada por el COVID-19.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
This volume is a monograph of the 47 species of the Dulcamaroid clade of the large and diverse genus Solanum. Species in the group occur in North, Central and South America, and in Europe and Asia. The group is most species-rich in Peru and Brazil, and three of the component species, Solanum laxum of Brazil, Solanum seaforthianum of the Caribbean and and Solanum crispum of Chile are cultivated in many parts of the world. All species are illustrated and a distribution map of each is provided. All names are typified and nomenclatural and bibliographic details for all typifications presented. One new species from Ecuador is described. The monograph is the first complete taxonomic treatment of these species since the worldwide monograph of Solanum done by the French botanist Michel-Felix Dunal in 1852.
A previously untranslated classic of Portuguese feminist literature originally published in 1978, Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and underappreciated woman writer a la recent publishing sensations Lucia Berlin, Natalia Ginzburg, Ingeborg Bachmann, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is a tightly plotted, highly entertaining read, that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad ...
Yoshiro thinks he might never die. A hundred years old and counting, he is one of Japan's many 'old-elderly'; men and women who remember a time before the air and the sea were poisoned, before terrible catastrophe promted Japan to shut itself off from the rest of the world. He may live for decades yet, but he knows his beloved great-grandson - born frail and prone to sickness - might not survive to adulthood. Day after day, it takes all of Yoshiro's sagacity to keep Mumei alive. As hopes for Japan's youngest generation fade, a secretive organisation embarks on an audacious plan to find a cure - might Yoshiro's great-grandson be the key to saving the last children of Tokyo?
Written in three parts, War Trilogy is a dazzling and anarchic exploration of social relations which offers thought-provoking ideas on our perceptions of humanity, history, violence, art and science. The first part follows a writer who travels to the small, uninhabited island of San Simon, where he witnesses events which impel him on a journey across several continents, chasing the phantoms of nameless people devastated by violence. The second book is narrated by Kurt, the fourth astronaut who secretly accompanied Armstrong, Aldrin and Collins on their mythical first voyage to the moon. Now living in Miami, an ageing Kurt revisits the important chapters of his life: from serving in the Vietnam War to his memory of seeing earth from space. In the third part, a woman embarks on a walking tour of the Normandy coast with the goal of re-enacting, step by step, the memory of another trip taken years before. On her journey along the rugged coastline, she comes across a number of locals, but also thousands of refugees newly arrived on Europe's shores, whose stories she follows on the TV in her lodgings.