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Onomastics between Sacred and Profane
Religiously, God is the creator of everything seen and unseen; thus, one can ascribe to Him the names of His creation as well, at least in their primordial form. In the mentality of ancient Semitic peoples, naming a place or a person meant determining the role or fate of the named entity, as names were considered to be mysteriously connected with the reality they designated. Subsequently, God gave people the freedom to name persons, objects, and places. However, people carried out this act (precisely) in relation to the divinity, either by remaining devoted to the sacred or by growing estranged from it, an attitude that generated profane names. The sacred/profane dichotomy occurs in all the ...
The Palgrave Handbook of African Men and Masculinities
This handbook provides a comprehensive, interdisciplinary overview of key theoretical and analytical approaches, topics and debates in contemporary scholarship on African masculinities. Refusing to privilege Western theoretical constructs (but remaining in dialogue with them), contributors explore the contestations around and diversities within men, masculinities and sexualities in Africa; investigate individual and collective practices of masculinity; and interrogate the social construction of masculinities. Bringing together insights from scholars across gender studies, sociology, anthropology, philosophy, history, literature and religion, this book demonstrates how recognizing and upholdi...
Global Perspectives on Football in Africa
Football, in many ways, is a visual endeavour. From the visual experience within the stadium itself to worldwide media representations, from advertisements to football art and artefacts: football is much about seeing and being seen, about watching, making visual and being visualised. The FIFA World Cup 2010 in South Africa has turned into a perfect example of the visual dimensions of football. Stadiums have been built and marketed as tourist attractions, mass media and internet platforms are advertising South African cities and venues, logos and emblems are displayed and celebrated, exhibitions are organised in museums world-wide. This book explores the social, cultural and political role of...
State/Society
In this remarkably meticulous work, Gilbert Shang Ndi succeeds in bringing together the aesthetic and political dimensions of the texts and in broadening interpretative perspectives in very convincing analyses. Each author is handled in his peculiarity and the theoretical ambitions of the project contribute to fruitful and innovative readings of major African literature texts by Ngugi wa Thiong'o, Ahmadou Kourouma, Ayi Kwei Armah and Sony Labou Tansi. --Prof. Xavier Garnier, U. de Paris-Sorbonne III **This title is based on a Dissertation. (Series: Contributions in African Research / Beitr�¤ge zur Afrikaforschung, Vol. 77) [Subject: African Studies, Literary Criticism]
Rural Cinema Exhibition and Audiences in a Global Context
Although it has only been in the last decade that the planet’s population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going. Rural Cinema Exhibition and Audiences in A Global Context is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop...
COVID-19 and the Soccer World
The spread of COVID-19 and the consequent pandemic since early 2020 have brought about unprecedented changes in all spheres of global life, creating a new sense of (in)security with social distancing, physical isolation, quarantine and lockdown becoming buzzwords to combat the disease. As in all spheres of life, the first wave of the pandemic posed serious challenges to the world of soccer, with diverse and intriguing responses across the globe. This book documents the early impressions and initial responses of various stakeholders of the soccer world to the challenges of COVID-19 in 2020. It reveals how the process of confrontation, negotiation, adjustment and overcoming against such challe...
Global Africa
"Global Africa will complicate conventional views of Africa as a place of violence, despair and victimhood--a place and space that other people, states, and organizations act on and steal from. Instead, they aim to document some of the significant global connections, circulations, and contributions that African people, ideas, and goods have made in the world--not just in the United States, but in South Asia, Latin America, Europe, and elsewhere. They will showcase new framings of Africa, but will not romanticize the conditions and circumstances in which too many people on the continent currently live. The essays in this volume will amplify those voices that offer complex and insightful explanations, strategies for solutions, and inspiration for the future."--Provided by publisher.
Women, visibility and morality in Kenyan popular media
Women, visibility and morality in Kenyan popular media explores familiar constructions of femininity to assess ways in which it circulates in discourse, both stereotypically and otherwise. It assesses the meanings of such discourses and their articulations in various public platforms in Kenya. The book draws together theoretical questions on pre-convened scripts that contain or condition how women can circulate in public. The book asks questions about particular interpretations of womens bodies that are considered transgressive or unruly and why these bodies become significant symbolic sites for the generation of knowledge on morality and sexuality. The book also poses questions about genre and representations of femininity. The assertion made is that for knowledges of femininity to circulate effectively, they must be melodramatic, spectacular and scandalous. Ultimately, the book asks how such a theorisation of popular modes of representation enable a better understanding of the connections between gender, sexuality and violence in Kenya.
