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Workers, Neighbors, and Citizens examines the mobilization of workers and the urban poor in Mexico City from the eve of the 1910 revolution through the early 1920s, producing for the first time a nuanced illumination of groups that have long been discounted by historians. John Lear addresses a basic paradox: During one of the great social upheavals of the twentieth century, urban workers and masses had a limited military role, yet they emerged from the revolution with considerable combativeness and a new significance in the power structure. ø Lear identifies a significant and largely underestimated tradition of resistance and independent organization among working people that resulted in pa...
This impressive collection offers the first systematic global and comparative history of textile workers over the course of 350 years. This period covers the major changes in wool and cotton production, and the global picture from pre-industrial times through to the twentieth century. After an introduction, the first part of the book is divided into twenty national studies on textile production over the period 1650-2000. To make them useful tools for international comparisons, each national overview is based on a consistent framework that defines the topics and issues to be treated in each chapter. The countries described have been selected to included the major historic producers of woollen...
Unlike wars between nations, wherein the population generally comes together to defend its borders and is united by a common national goal, civil wars tear countries apart, divide families, and turn neighbors against each other. Civil wars are a form of self-harm in which a country's people seek redemption through self-destruction, punishing or severing those parts that are seen to have made the nation ill. And yet civil wars--with their characteristically appalling violence--remain chillingly common, defying the notion that they are somehow an aberration. In The Grammar of Civil War Will Fowler examines the origin, process, and outcome of civil war. Using the Mexican Civil War of 1857-61 (o...
With limited resources to contextualize masculinity in colonial Mexico, film, literature, and social history perpetuate the stereotype associating Mexican men with machismo—defined as excessive virility that is accompanied by bravado and explosions of violence. While scholars studying men’s gender identities in the colonial period have used Inquisition documents to explore their subject, these documents are inherently limiting given that the men described in them were considered to be criminals or otherwise marginal. Nineteenth- and twentieth-century resources, too, provide a limited perspective on machismo in the colonial period. The Origins of Macho addresses this deficiency by basing its study of colonial Mexican masculinity on the experiences of mainstream men. Lipsett-Rivera traces the genesis of the Mexican macho by looking at daily interactions between Mexican men in the seventeenth and eighteenth centuries. In doing so she establishes an important foundation for gender studies in Mexico and Latin America and makes a significant contribution to the larger field of masculinity studies.
This book explores the legal culture of nineteenth-century Mexico and explains why liberal institutions flourished in some social settings but not others.
In 1570's New Kingdom of Granada (modern Colombia), a new generation of mestizo (half-Spanish, half-indigenous) men sought positions of increasing power in the colony's two largest cities. In response, Spanish nativist factions zealously attacked them as unequal and unqualified, unleashing an intense political battle that lasted almost two decades. At stake was whether membership in the small colonial community and thus access to its most lucrative professions should depend on limpieza de sangre (blood purity) or values-based integration (Christian citizenship). A Tale of Two Granadas examines the vast, trans-Atlantic transformation of political ideas about subjecthood that ultimately allowed some colonial mestizos and indios ladinos (acculturated natives) to establish urban citizenship alongside Spaniards in colonial Santafé de Bogotá and Tunja. In a spirit of comparison, it illustrates how some of the descendants of Spain's last Muslims appealed to the same new conceptions of citizenship to avoid disenfranchisement in the face of growing prejudice.
Winner of the Bolton-Johnson Prize Winner of the Utley Prize Winner of the Distinguished Book Award, Society for Military History “The Dead March incorporates the work of Mexican historians...in a story that involves far more than military strategy, diplomatic maneuvering, and American political intrigue...Studded with arresting insights and convincing observations.” —James Oakes, New York Review of Books “Superb...A remarkable achievement, by far the best general account of the war now available. It is critical, insightful, and rooted in a wealth of archival sources; it brings far more of the Mexican experience than any other work...and it clearly demonstrates the social and cultura...
DIVShows how Afro-Colombians, Indians, and “white” peasants helped construct a democratic political culture in 19th-century Colombia, and ways in which the loss of some aspects of this mass-based democracy fed into the pervasive violence of the/div
In the mid-nineteenth century prophetic visions attributed to a woman named Madre Matiana roiled Mexican society. Pamphlets of the time proclaimed that decades earlier a humble laywoman foresaw the nation’s calamitous destiny—foreign invasion, widespread misery, and chronic civil strife. The revelations, however, pinpointed the cause of Mexico’s struggles: God was punishing the nation for embracing blasphemous secularism. Responses ranged from pious alarm to incredulous scorn. Although most likely a fiction cooked up amid the era’s culture wars, Madre Matiana’s persona nevertheless endured. In fact, her predictions remained influential well into the twentieth century as society debated the nature of popular culture, the crux of modern nationhood, and the role of women, especially religious women. Here Edward Wright-Rios examines this much-maligned—and sometimes celebrated—character and her position in the development of a nation.
"La Güera Rodríguez (1778-1850) is a fascinating Mexican woman who has become an icon of the nation's popular culture. She has been--erroneously--portrayed as a courtesan who seduced Simón Bolívar, Alexander von Humboldt, and Agustín de Iturbide; a major independence heroine; and a feminist who defied the conventions of her day. This book reconstructs her true life story and then shows when and why false facts and apocryphal stories appeared to create her legendary figure. It thus illuminates both the neglected social history of her day and the degree to which historical memory reflects ever-changing worldviews and concerns"--