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Languages of Minority
This study endeavours to understand the construction and perception of minority languages in India from the colonial era to the contemporary period. Through illustrative examples, it seeks to delineate the evolution of orality and writing, the concept of vernacular, and the dynamics of translation, which is essential for a nuanced understanding of a linguistic phenomena. Emphasizing the pivotal role of English, the work challenges conventional perspectives on multilingualism, urging a re-evaluation of the desire for English among minoritized populations. It also addresses diverse axes of power that shape or dismantle linguistic communities. Furthermore, it redefines the relationship between orality, writing, vernacular, and historical contexts in the Indian milieu. By scrutinizing prevalent notions surrounding multilingualism, the book argues that communities that are invested with the power of writing actively construct notions around language and these have certain implications on the languages of the minority, including the ways in which negotiations and resistances emerge.
Practising Interdisciplinarity
This book examines the epistemological, social and political dimensions of practising interdisciplinary approaches to enhance knowledge, pedagogy, and methodological aspects of research in the South Asian context. The volume sets the context by bringing together a range of ideas, questions and reflections on the concept of interdisciplinarity, the numerous waves of interdisciplinarity in contemporary history of knowledge, which were radically different from each other in their epistemological and political orientations. The book revisits the concept of interdisciplinarity and takes into cognizance the importance of the mutual shaping of knowledge and politics in our search for inclusive and ...
Routledge Handbook of Indian Cinemas
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.
Discourse, Democracy, and Difference
Papers presented at the National Seminar on Minority Discourses: Democracy and Difference, held at Baroda during 12-14 August 2003 organized by Dept. of English, Faculty of Arts, Maharaja Sayajirao University of Baroda.
Dakshin
Dive into this treasure trove of fifteen opulent folk tales, myths and fables from vibrant southern India. Travel down the banks of the Kaveri to the shores of the Indian Ocean; from the depths of mysterious jungles to the towering Nilgiris; from the lavish abode of kings to quiet villages in Coorg; and finally, meet the enchanting fairies, elves, gods and goddesses along the way! Laugh at the funny deeds of a miser. Cry at the misfortunes of the naïve. Wonder at the courage of the weak against the mighty. Come, revel in these fantastic folk tales!
A Multilingual Nation
How does India live through the oddity of being both a nation and multilingual? Is multilingualism in India to be understood as a neatly laid set of discrete languages or a criss-crossing of languages that runs through every source language and text? The questions take us to reviewing what is meant by language, multilingualism, and translation. Challenging these institutions, A Multilingual Nation illustrates how the received notions of translation discipline do not apply to India. It provocatively argues that translation is not a ‘solution’ to the allegedly chaotic situation of many languages, rather it is its inherent and inalienable part. An unusual and unorthodox collection of essays by leading thinkers and writers, new and young researchers, it establishes the all-pervasive nature of translation in every sphere in India and reverses the assumptions of the steady nature of language, its definition, and the peculiar fragility that is revealed in the process of translation.
Indian Horror Cinema
This book studies the hitherto overlooked genre of horror cinema in India. It uncovers some unique and diverse themes that these films deal with, including the fear of the unknown, the supernatural, occult practices, communication with spirits of the deceased, ghosts, reincarnation, figures of vampires, zombies, witches and transmutations of human beings into non-human forms such as werewolves. It focusses on the construction of feminine and masculine subjectivities in select horror films across seven major languages – Hindi, Tamil, Telugu, Kannada, Bangla, Marathi and Malayalam. The author shows that the alienation of the body and bodily functions through the medium of the horror film ser...
The Aesthetics of Ugliness in Contemporary Malayalam Cinema
Cinema as an aesthetic construct exists in a specific historical and political context, reflecting the society and its aesthetic values. Visual representation of the Ugly, its politics and aestheticization, are deeply rooted in the screen space. Featuring unconventional characters, unembellished visuals, raw and gritty storytelling, the unaesthetic challenges conventional notions of beauty on screen. The physical, psychological, and social manifestations of the ugly are incorporated into the cinematic space through content, theme, physical representations, symbols, setting, dialogue, as well as the camera. Exploring the intricate connection between ugliness and the cinematic medium, the book focuses on identity, gender, and other manifestations of Ugly in contemporary Malayalam cinema. It meticulously analyses the portrayal of ugliness in characters, narratives, and visual aesthetics, thus highlighting societal norms and realities of life. The book is a must-read for film scholars, enthusiasts, and anyone interested in the intersection of aesthetics and storytelling.
Textual Travels
This book presents a comprehensive account of the theory and practice of translation in India in combining both its functional and literary aspects. It explores how the cultural politics of globalization is played out most powerfully in the realm of popular culture, and especially the role of translation in its practical facets, ranging from the fields of literature and publishing to media and sports.
