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The cultural universe of urban, English-speaking middle class in India shows signs of growing inclusiveness as far as English is concerned. This phenomenon manifests itself in increasing forms of bilingualism (combination of English and one Indian language) in everyday forms of speech - advertisement jingles, bilingual movies, signboards, and of course conversations. It is also evident in the startling prominence of Indian Writing in English and somewhat less visibly, but steadily rising, activity of English translation from Indian languages. Since the eighties this has led to a frenetic activity around English translation in India's academic and literary circles. Kothari makes this very cur...
Contributed articles."Something has happened to English; and something has happened to Hindi. These two languages, widely spoken across India, need to be understood anew through their 'hybridization' into Hinglish -- a mixture of Hindi and English that has begun to make itself heard everywhere -- from daily conversation to news, films, advertisements and blogs. How did this popular form of urban communication evolve? Is this language the new and trendy idiom of a youthful population no longer competent in either English or Hindi? Or is it an Indianized version of a once-colonial language, claiming its legitimate place alongside India's many bhashas? Chutnefying English: The Phenomenon of Hin...
A classic question about India, often asked by non-Indians, when they encounter its hundreds of languages is- how did and does India manage communication amidst such linguistic diversity? Surely, translation must be the only way. Indian Language Bazaars has its genesis in two decades' experience of the author with the act, activity and theorization of translation. What is translation in the Indian context? Does it have to be linguistic in nature? Does it need to refer to written texts only? Does 'it' need to be called 'translation' or is it an unstable and hybrid category that has increasingly begun to get stable in a more self-conscious and academic understanding of translation? Does crissc...
For the first time from both sides of the border, a collection of Sindhi Partition narratives If Partition changed the lives of Sindhi Hindus who suffered the loss of home, language and culture, and felt unwanted in their new homeland, it also changed things for Sindhi Muslims. The Muslims had to grapple with a nation that had suddenly become unrecognizable and where they found themselves to be second-class citizens. Not used to the Urdu, the mosqes and the new avatars of domination, they were bewildered by the new Islamic state of Pakistan. Sindh as a nation had simultaneously become elusive for both communities. In Unbordered Memories we witness Sindhis from India and Pakistan making imagi...
Fateema opened her diary and began writing: “Jihad as mentioned by the Prophet is a war against injustice and oppression. Islam means peace and surrender. Islam does not recommend killing innocent people. The Prophet released hundreds of slaves from bondage and sent them back to their native land.” There was a lot more she could write. She would one day. Not for others, but to her own people she would explain the meaning of the word ‘Islam’. For a bright young woman like Fateema Lokhandwala, the idea that one day she might own her own house is a daring dream. Her father has spent his life, slaving away selling scrap metal so that his children might ‘jump the fence of poverty and il...
This book foregrounds practices and discourses of translation in several non-Western traditions. Translation Studies currently reflects the historiography and concerns of Anglo-American and European scholars, overlooking the full richness of translational activities and diverse discourses. The essays in this book, which generally have a historical slant, help push back the geographical and conceptual boundaries of the discipline. They illustrate how distinctive historical, social and philosophical contexts have shaped the ways in which translational acts are defined, performed, viewed, encouraged or suppressed in different linguistic communities. The volume has a particular focus on the multiple contexts of translation in India, but also encompasses translation in Korea, Japan and South Africa, as well as representations of Sufism in different contexts."
The Burden Of Refuge Tells The Story Of The Sindhi Hindus Of Gujarat Beginning With Colonial Sindh And Tracing The Socio-Political Dynamics Of The Pre-Partition Days. Through Personal Narratives, Kothari Brings To Life The Story Of Various Sindhis As They Migrate To India And Begin Their Process Of Resettlement. She Delineates The Contexts That Made An Atypical Community Like The Sindhis Re-Modify Themselves To Suit More Textbook Notions Of Gujarati Bourgeois Society. In Their Desire To Assimilate With India (Especially Gujarat), The Sindhis Gained Much, But Also Suffered Many Losses. Though Sindhis Have Risen From The Ashes Of Partition As A Model Immigrant Community, The Sufi Syncreticism ...
Translation Studies has recently been searching for connections with Cultural Studies and Sociology. This volume brings together a range of ways in which the disciplines can be related, particularly with respect to research methodologies. The key aspects covered are the agents behind translation, the social histories revealed by translations, the perceived roles and values of translators in social contexts, the hidden power relations structuring publication contexts, and the need to review basic concepts of the way social and cultural systems work. Special importance is placed on Community Interpreting as a field of social complexity, the lessons of which can be applied in many other areas. The volume studies translators and interpreters working in a wide range of contexts, ranging from censorship in East Germany to English translations in Gujarat. Major contributions are made by Agnès Whitfield, Daniel Gagnon, Franz Pöchhacker, Michaela Wolf, Pekka Kujamäki and Rita Kothari, with an extensive introduction on methodology by Anthony Pym.
The twenty-three stories in The Greatest Gujarati Stories Ever Told represent some of the finest short fiction in Gujarati literature. Selected and edited by translator and writer Rita Kothari, this collection features established literary masters such as K. M. Munshi, Dhumketu, Himanshi Shelat, Dalpat Chauhan, Nazir Mansuri, and Mona Patrawalla, as well as accomplished new voices such as Panna Trivedi, Abhimanyu Acharya, Raam Mori, and others. In K. M. Munshi's epistolary 'A Letter', a childbride is worked to her death as she yearns for her husband's affection; in Neerav Patel's 'Creamy Layer', the politicized, urban, and upwardly mobile Mr and Mrs Vaghela must confront the deep chasm that ...