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The work of Memphis, the Milanese design group led by Ettore Sottsass, which produced furniture and artifacts between 1981 and 1988.
A puzzling and enticingly experimental play from a celebrated German writer.
A concise reader on European architecture's defining forces of the past 30 years German designer Matthias Sauerbruch (born 1955) and British designer Louisa Hutton (born 1957) have asked a diverse group of authors to reflect on the various conditions that have shaped the conception, production and circulation of European architecture over the past 30 years. While the essays collected in this volume include observations of Sauerbruch Hutton's buildings, the scope of the authors' conclusions about European design trends far exceeds the work of this particular agency. The text is supplemented by a photographic essay by Finnish artist Ola Kolehmainen, offering readers an immersive experience of the firm's most impressive accomplishments.
In the sciences, the experimental approach has proved its worth in generating what subsequently requires understanding. Can the emergent field of artistic research be inspired by recent thinking about the history and workings of science?
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The International Complete Collection of R&D Information about Traditional Chinese Materia Medica (TCMM) and Biotechnology (BT) Enterprises is designed as an informative medicinal reference directory listing of up-to-date R&D information about TCMM, medical biotechnology, and related medical equipment companies. The focus of this valuable and practical directory is on providing a comprehensive coverage of the most recent developments in scientific research, patents and major products of about 3,000 companies from 50 countries covering the five continents: Asia, Europe, America, Africa and the Oceania. The resource material and information are relevant and compulsory to practitioners and prof...
Pictures of Nothing surveys the most recent work of German artist Nadia Lichtig (born 1973), who works in both visual art and experimental music. Influenced by these different modalities, Lichtig's abstract paintings are comprised of muted swaths of color and carefully distributed lines.
This impressive edited collection investigates the relationship between British Pop Art pioneer Eduardo Paolozzi and the philosopher Ludwig Wittgenstein. At this time, when Paolozzi’s oeuvre is in the process of being rediscovered, his long-time fascination with Wittgenstein requires thorough exploration, as it discloses a deeper understanding of his artistic production, further helping to reassess the philosopher’s actual impact on visual arts and its theory in the second half of the 20th century. With 13 diverse and comprehensive chapters, bringing together philosophers and art historians, this volume aims at retracing and pondering the influence of Wittgenstein on the idea of art in Paolozzi, thus giving an unprecedented insight into Wittgenstein’s philosophy as employed by contemporary artists.
Recent political conflicts signal an increased proliferation of image testimonies shared widely via social media. Although witnessing with and through images is not a phenomenon of the internet era, contemporary digital image practices and politics have significantly intensified the affective economies of image testimonies. This volume traces the contours of these conditions and develops a conception of image testimony along four areas of focus. The first and second section of this volume reflects the discussion of image testimonies as an interplay of evidential qualities and their potential to express affective relationalities and emotional involvement. The third section focuses on the ques...