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Artists Living with Art
"Artists living with art" is full of fascinating and often surprising revelations about the artworks a select group of the world's most influential contemporary artists choose to collect and display in the intimacy of their own homes. (Just as Andy Warhol famously collected cookie jars, so do these 25 artists, all living in New York, collect art and in some cases, mundane objects they cherish as art.) The works they display reflect remarkably diverse, eclectic and often unexpected tastes. Many of these homes, some of which also function as studios, have never been seen and offer unique insight into each artists' personal life, creative process, and artistic practices, as well as what inspires them and who their friends are (many swap art with one another). Readers will learn about the pieces most treasured by each artist, as well as their favourite period in art (a surprising number have a preference for pre-twentieth-century art). Authors Stacey Goergen and Amanda Benchley gained unprecedented access into each home for the photography and interviews, and highly acclaimed photographer Oberto Gili was commissioned to shoot the these homes especially for the book.
FAX
"Though the technology for transmitting printed images and texts over distance dates from the 19th century, it was the introduction of the modern fax through commercially available machines in the 1970s that turned facsimiles into a ubiquitous communications medium for international business. Artists readily exploited its immediate, graphic, and interactive character, making it an important part of the history of telecommunications art, nestled between the legacy of mail art and the nascent practices of new media." "Published on the occasion of the exhibition of the same name, FAX features the work of a multigenerational group of artists, architects, designers, scientists, and filmmakers who were invited to conceive of the fax machine as a tool for thinking and drawing. The book contains an essay by exhibition curator Joao Ribas and over 200 faxed pages, all transmitted via The Drawing Center's working fax line, including drawings, texts, and some seminal examples of early telecommunications art, as well as the inevitable errors of transmission, junk, and "fax lore." These works Form the core of a traveling exhibition circulated by iCI." --Book Jacket.
Biennial Exhibition
None
Matisse, Picasso, and Modern Art in Paris
Considered together, they provide a comprehensive view of modern art in Paris up to World War II and bring Jones's legacy to a wide audience for the first time. Distributed for the Virginia Museum of Fine Arts
Banks Violette
Banks Violette (b. 1973) has been called the "Grown-Up Goth." Whitney Museum of American Art curator Chrissie Isles, at the time of the 2004 Whitney Biennial, described his work as embodying "the dark side of the heavy-metal American dream." This book, which accompanies an exhibition at the Whitney, presents a new multi-media sculptural installation by Violette that, with a musical component, explores the central concerns of his work in a complete, immersive environment. This new work, "Untitled," revolves around an idea of complicity between the artist, his collaborator the Black Metal musician Snorre Ruch, and the audience interacting with the piece. Cast in salt, the material surface of the piece is alternately glittery and matte, suggesting both the living and the dead. Recorded in Dolby surround sound and activated by motion detectors, the music becomes a theatrical element in orienting the viewer in the installation, swelling louder according to proximity.
Paul McCarthy
"This catalogue was published on the occasion of the exhibition Paul McCarthy: Central Symmetrical Rotation Movement - Three Installations, Two Films, at the Whitney Museum of American Art, New York."--BOOK JACKET.
Whitney Biennial 2008
Presents three hundred images and essays from the 2008 Biennial Exhbition at the Whitney Museum of Art.
Unrepentant Ego
The Walt Disney Concert Hall, designed by Frank Gehry and the new home of the Los Angeles Philharmonic opens in Autumn 2003. From its striking stainless steel exterior to the state-of-the-art acoustics of the hardwood-panelled main auditorium, the hall stand not only as a great architectural achievement, but as one of the most acoustically sophisticated concert halls in the world. architect selection process, construction and the completion of the building. Essays by leading architecture historians put the building into its historical perspective in the urban landscape of Los Angeles.
