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Paul Mccarthy
Los-Angeles-based artist Paul McCarthy (b.1945) creates Disneyesque installations, sculptures of animal/vegetable/human hybrids and slapstick performances in a purge of a national subconscious. The psycho-sexual desires and anxieties induced by the media and the built environment of contemporary America emerge in his collisions of plastic prosthetic limbs and condiments that stand in for bodily fluids. These works have been variously deployed: through live actions, often documented on video, and more recently in outsized figures and artificial rural environments, combined in overtly sexual ways. McCarthy's work echoes that of European artists such as Joseph Beuys or the Viennese Aktionistes,...
Paul McCarthy - Revised and Expanded Edition
Definitive monograph on America's most challenging and influential artist Los-Angeles-based artist Paul McCarthy (b.1945) creates Disneyesque installations, sculptures of animal/vegetable/human hybrids and slapstick performances in a purge of a national subconscious. The psycho-sexual desires and anxieties induced by the media and the built environment of contemporary America emerge in his collisions of plastic prosthetic limbs and condiments that stand in for bodily fluids. These works have been variously deployed: through live actions, often documented on video, and more recently in outsized figures and artificial rural environments, combined in overtly sexual ways. McCarthy's work echoes that of European artists such as Joseph Beuys or the Viennese Aktionistes, but gives 'action art' a postmodern twist. This new revised and expanded edition includes contributions by luminaries such as Kristine Stiles, Ralph Rugoff, Massimiliano Gioni and Robert Storr.
Paul McCarthy
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Paul McCarthy
This book looks at Paul McCarthy's drawings, a rarely examined aspect of his oeuvre, and offers a greater understanding of the work of this provocative artist. A prolific social critic, Paul McCarthy is best known for his work in performance, installation, film, and sculpture. His works reference American cultural archetypes such as Disneyland, B movies, soap operas, comic books, and contemporary politics. His drawings and films skewer, often profanely, mass media and consumer-driven American society by pointing to its hypocrisy, double standards, and repression. McCarthy's work is also deeply influenced by European avant-garde art, especially by figures such as Joseph Beuys and Samuel Becke...
Paul McCarthy
Finally, the answer to a 20-year-old mystery: what's in Paul McCarthy's 1984 installation, The Three Boxes? With dry humor, McCarthy finally reveals the entire contents: 110 videotapes. In this catalog, the items are documented as if they were recently unearthed artifacts from a long-extinct culture. Only a photo of each video reel and its slipcase is noted-nothing more. Cryptic descriptions written on the video labels are the only text.
Paul Mccarthy
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Paul McCarthy
Most artists would be sorry to hear that their work looked like a steaming plate of poop, but not Paul McCarthy. Because that's exactly what he's drawn. In a woodbound portfolio scribbled and annotated ("finger," "smeel my assh hul hole") in what looks like the handwriting of a teenage boy, everything that isn't scatological is phallic or violent. Photographs, including documentation of his sculptures, raise the production values and (sometimes) lower the NC-17 rating. And his commentaries on the work clarify his intentions: if Disney-esque model dwarves are "emissaries from multinational conglomerates come to colonize our dreams," McCarthy's mission must be, in part, recovering those dreams and restoring the taboo to our minds. Mission accomplished. McCarthy, born in Salt Lake City in 1945 and a longtime resident of Los Angeles, has had recent major solo shows at Stockholm's Moderna Museet, New York's New Museum and the Tate Modern in London.
Paul McCarthy at Tate Modern
From May to October 2003 two enormous inflatable sculptures will loom above visitors to Tate Modern and those strolling along the riverbank. The first, Blockhead, revisits one of McCarthy's trademark characters, a mutant cartoon character with a Pinocchio nose emerging from its cuboid head. At 35 meters, it towers as high as the fourth level of Tate Modern. The second sculpture is named Daddies Bighead. This 16-meter high figure has a body constructed from a giant replica of a ketchup bottle. McCarthy has frequently used ketchup in his performances and installations as a stand-in for blood and other bodily excretions. Much of his work has courted controversy, dealing as it does with iconic i...
Paul McCarthy
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Paul McCarthy
"This catalogue was published on the occasion of the exhibition Paul McCarthy: Central Symmetrical Rotation Movement - Three Installations, Two Films, at the Whitney Museum of American Art, New York."--BOOK JACKET.
