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Bourgeois
Briefly describes Louise Bourgeois life and background, and shares her comments on her approach to art and the influences on her work.
Idiosyncratic Identities
A collection of essays on idiosyncratic art.
Shekhina
Essay by Donald Kuspit The first monograph by famed actor and director Leonard Nimoy, this eerily beautiful photographic study of the female form reveals Nimoy's intrigue with Old Testament mythology and ancient spirituality. The Shekhina, described by the Kabbala as God's feminine counterpart, is understood by mystics to be a crucial element of both divine and human spirit, symbolising the creativity and wisdom without which no being is complete. Here, Nimoy uses 50 duotone photos as an exhaustive investigation of his own spirituality.
Steve Tobin's Natural History
This book assembles twenty years of work in dramatic color photographs, a magnificent mid-career survey of a remarkable sculptor who turns nature into art.
David Bierk
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Regents' Proceedings
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Health and Happiness in 20th-century Avant-garde Art
This book presents a refreshing new approach to avant-garde art by demonstrating that a genuine core of modernism manifests a positive, life-affirming attitude. Donald Kuspit and Lynn Gamwell challenge the assumption that disintegration and negativity provide the most authentic artistic responses to this century's gloomy zeitgeist. Lavishly illustrated, their book includes colorful images of paintings, sculptures, and decorative arts, as well as photographs of spectacular gardens.
Hans Van de Bovenkamp
This vivid monograph examines the often surprising and stunning sculpture of Hans Van de Bovenkamp. He is best known for his groundbreaking work in public sculpture. His art covers a myriad of sculptural objects located in accessible open places. 92 colour & 35 b/w illustrations
Fragmentary Forms
A beautifully illustrated global history of collage from the origins of paper to today While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the invention of paper in China around 200 BCE. Subsequent forms occurred in twelfth-century Japan with illuminated manuscripts that combined calligraphic poetry with torn colored papers. In early modern Europe, collage was used to document and organize herbaria, plant specimens, and other systems of knowledge. In the eighteenth and nineteenth centuries, collage became firmly associated with the expression of intimate relations and familial affecti...
