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On a school camping trip, fifth graders experiment with a dangerous new hallucinogen and die in a horrific accident, their deaths shattering the quiet town. Assistant Superintendent Ken Parks, hoping to redeem a fatal mistake from his past, grasps the opportunity to conduct the district investigation of how students are getting the drugs. Almost before he begins, the cops make a stunning arrest. But Parks battles on, convinced the real pusher is still out there, poisoning more kids until he receives an anonymous threat: if he continues, those close to him will pay. Is Parks willing to risk those he loves for a chance at redemption?
Stacy Thompson's Punk Productions offers a concise history of punk music and combines concepts from Marxism to psychoanalysis to identify the shared desires that punk expresses through its material productions and social relations. Thompson explores all of the major punk scenes in detail, from the early days in New York and England, through California Hardcore and the Riot Grrrls, and thoroughly examines punk record collecting, the history of the Dischord and Lookout! record labels, and 'zines produced to chronicle the various scenes over the years. While most analyses of punk address it in terms of style, Thompson grounds its aesthetics, and particularly its most combative elements, in a ma...
A history and social psychology of punk music.
Neither a dry-as-dust reference volume recycling the same dull facts nor a gushy, gossipy puff piece, A Cultural Dictionary of Punk: 1974-1982 is a bold book that examines punk as a movement that is best understood by placing it in its cultural field. It contains myriad critical-listening descriptions of the sounds of the time, but also places those sounds in the context of history. Drawing on hundreds of fanzines, magazines, and newspapers, the book is-in the spirit of punk-an obsessive, exhaustively researched, and sometimes deeply personal portrait of the many ways in which punk was an artistic, cultural, and political expression of defiance. A Cultural Dictionary of Punk is organized aro...
For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In i...
For centuries, demons have possessed vulnerable and unsuspecting people. But this time, they’re aiming to seize an entire town. Rand Casey, demonologist and paranormal investigator, returns to face a new threat unlike anything he’s ever seen. Mere weeks after his last case, Rand is physically and spiritually drained. The elite demon Shindael has vowed to haunt Rand forever—a punishment for all the times he has been victorious over the forces of hell. Seeking the protection of God, Rand visits a new church in the small town of Finnick, Louisiana, pastored by the charismatic Deckard Arcan. When Rand witnesses unexplainable miracles from Deckard, Rand is skeptical. With the entire populat...
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