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The first issue to be published since 1960, here is Issue N° 1 from highly revered art publisher Cahiers d’Art “Cahiers d’Art” refers at once to a publishing house, a gallery, and to a revue founded in 1926 by Christian Zervos at 14 rue du Dragon in the heart of Saint-Germain des-Prés. Cahiers d’Art was entirely unique: a journal of contemporary art defined by its combination of striking typography and layout, abundant photography, and juxtaposition of ancient and modern art, including original works by Picasso, Miró, Giacometti, Duchamp, and Man Ray, where writers like Paul Éluard, Ernest Hemingway, and Samuel Beckett often replaced the usual art critics. This is the first issue of the Cahiers d’art revue to be published since 1960. The first issue contains an extensive article of 70 pages dedicated to a defining artist of our time, Ellsworth Kelly; texts from renowned architects, art historians, and critics; as well as portfolios of previously unpublished material by Cyprien Gaillard, Sarah Morris, and Adrián Villar Rojas.
From Cahiers d’Art, a monograph on one of the most ambitious collections of 20th-century art, and its complex, charismatic creator, Theodor Ahrenberg. Living with Matisse, Picasso, and Christo explores one of the most ambitious, and yet largely unknown, private collections of twentieth-century Western art, and its charismatic creator Theodor “Teto” Ahrenberg (1912–1989). Containing over 6,000 artworks acquired between the 1940s and late 1980s, Ahrenberg’s collection features key works by artists as distinguished and diverse as Pablo Picasso, Henri Matisse, Marc Chagall, Le Corbusier, Olle Bartling, Sam Francis, Öyvind Fahlström, Tadeusz Kantor, Lucio Fontana, Christo, Jean Tingue...
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.
Charles-Édouard Jeanneret, known as Le Corbusier (1887-1965), influenced the design, function, and construction of office and residential buildings as well as twentieth-century art and design. However, there has not yet been an extensive, precise examination of his role as an artist. For more than five decades, Le Corbusier oscillated between contradictory poles: his dedication to mechanical objects on the one hand, and his search for poetic form on the other. The mutual inspiration stemming from aesthetic versus creative took place in his "secret laboratory," the artist's studio. This is the first publication to consolidate all of the facets of his oeuvre, and it arrives at new approaches toward understanding his paintings, drawings, sculptures, tapestries, furniture, architectural sketches and plans, as well as his books and photographs. The book's five chapters cover a wide spectrum, ranging from the purist paintings and early villas to Le Corbusier's reinterpretation of values and his late works. Exhibition schedule: Moderna Museet, Stockholm, January 19-April 18, 2013
Children's picture books from the Romantic period. Theatrical stages inspired by Spinoza. Scenes from the Thirty Years' War reimagined by artificial intelligence. What narrative cannot achieve, Alexander Kluge transposes into the logic of images. The first half of the nineth volume of the "Alexander Kluge-Jahrbuch" contains a compilation of Kluge's most recent image experiments that wrestle with crisis and astonishment in the transatlantic public spheres of the twenty-first century. For Kluge, astonishment not only provokes philosophical reflection but also serves as an essential tool for critically grappling with the society of the spectacle. In addition to dialogues with Oskar Negt, Stefan Aust and painter Katharina Grosse, this volume contains scholarly essays on technology and the new space race, cinema and iconoclasm, revolution and Kluge's aesthetic politics, and decolonialism and ecocriticism.
A comprehensive reference guide to the published writings of Graham Greene, this book surveys not only Greene's literary work - including his fiction, poetry and drama - but also his other published writings. Accessibly organised over five central sections, the book provides the most up-to-date listing available of Greene's journalism, his published letters and major interviews. The Writings of Graham Greene also includes a bibliography of major secondary writings on Greene and a substantial and fully cross-referenced index to aid scholars and researchers working in the field of 20th Century literature.
At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.
Experiments with Body Agent Architecture puts forward the notion of body agents: non-ideal, animate and highly specific figures integrated with design to enact particular notions of embodied subjectivity in architecture. Body agents present opportunities for architects to increase imaginative and empathic qualities in their designs, particularly amidst a posthuman condition. Beginning with narrative writing from the viewpoint of a body agent, an estranged ‘quattrocento spiritello’ who finds himself uncomfortably inhabiting a digital milieu (or, as the spiritello calls it, ‘Il Regno Digitale’), the book combines speculative historical fiction and original design experiments. It focuse...
In his new book, Jaffe reveals the world of the Wailers during their early years as an international act from 1973 to 1975, a socially and politically transformative period in Jamaican history. He also explores the start of Peter Tosh’s solo career in 1976 with the revolutionary album, Legalize It. Lee Jaffe is a cross-disciplinary visual artist, musician and poet whose photographs highlight the Wailers featuring Bob Marley, Peter Tosh and Bunny Wailer during the last three years that they performed together. Jaffe and Marley first met in the New York hotel room of Traffic drummer and songwriter Jim Capaldi, starting a close creative partnership and friendship with the reggae legend. He li...
What show won the Emmy for Outstanding Drama Series in 1984? Who won the Oscar as Best Director in 1929? What actor won the Best Actor Obie for his work in Futz in 1967? Who was named “Comedian of the Year” by the Country Music Association in 1967? Whose album was named “Record of the Year” by the American Music Awards in 1991? What did the National Broadway Theatre Awards name as the “Best Musical” in 2003? This thoroughly updated, revised and “highly recommended” (Library Journal) reference work lists over 15,000 winners of twenty major entertainment awards: the Oscar, Golden Globe, Grammy, Country Music Association, New York Film Critics, Pulitzer Prize for Theater, Tony, Obie, New York Drama Critic’s Circle, Prime Time Emmy, Daytime Emmy, the American Music Awards, the Drama Desk Awards, the National Broadway Theatre Awards (touring Broadway plays), the National Association of Broadcasters Awards, the American Film Institute Awards and Peabody. Production personnel and special honors are also provided.