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With the death of Balthus in February 2001, the world lost one of the great painters of the twentieth century. Born into an aristocratic Polish family in 1908, Balthus grew up amid the most cultivated and artistic circles of Geneva, Berlin and Paris. Brilliantly precocious, he developed early his twin fascinations with the East and with Europe's old masters - inspirations that show in the poise and peculiar timelessness of his paintings. But his work is also suffused with an eroticism and sense of mystery that betray much more modern influences. Balthus was an artist of unflinching integrity. Out of step with the modern movement, until the 1960s he was hailed by only a tiny group of connoisseurs - among them, Picasso. By the mid- 1980s his work had achieved international renown, but he remained acutely wary of public scrutiny. He believed passionately that his paintings were to be looked at, not read about, or read into. As a result the enigmatic aura of his art came to envelop the man himself - even when, in his later years, he finally let down his guard and allowed journalists and scholars into his magnificent chalet home at Rossiniere in the Swiss Alps. Following his father's de
With the death of Balthus in February 2001, the world lost one of the great painters of the 20th century. This book, published in hardcover in 1996 to critical acclaim, offers the widest selection available in print of Balthus's work. The author, Balthus's son, contributes a new introduction to this expanded paperback edition, which features two additional works: Balthus's last painting, The Waiting, and the controversial Guitar Lesson of 1934. A unique collection of rare personal photographs, including images by the famed photographer Henri Cartier-Bresson, completes this tribute to one of the great artists of recent times.
These richly illustrated articles cover the representation of alchemy in art from the late Middle Ages to the 20th century. The authors, who are artists, curators and art historians from the US and Europe, address such topics as alchemical gender symbolism in Renaissance, Mannerist and modernist art; Netherlandish 17th-century portrayals of alchemists; and alchemy as the forerunner of photography. Distributed in the US by ISBS. Annotation ©2006 Book News, Inc., Portland, OR.
Hermeticism, or alchemy, is the ancient, primordial mystery science of nature through which people in all times and places have, for the sake of world evolution, sought to unite Heaven and Earth--divinity, cosmos, earth, and humanity, as a single whole. Selfless, intimate, dedicated to healing and harmony, Hermeticism has accompanied and sustained every religious epoch and revelation. It may be found in all historical cultures, from the traditions of India and China in the East to the Judeo-Christian West. It could even be said that Hermeticism is the primal cosmological revelation and the common ground of all spiritual traditions. Nevertheless, in the great revival of mystical, esoteric tra...
"From time to time, amidst all the trials and errors, it happens: I recognize what I was looking for. All of a sudden the vision that preexisted incarnates itself, more or less intuitively and more or less precisely. The dream and the reality are superimposed and made one." —Balthus Published to document Gagosian Gallery’s 2015 Balthus exhibition in Paris, this striking new book depicts the beautiful paintings, drawings, and photographs that were part of that career-spanning exhibition, the first of Balthus’s work in Paris since the 1983–84 retrospective at the Centre Georges Pompidou. Vibrant color reproductions of the artist’s interior portraits, street scenes, and landscapes, along with striking installation shots, present the self-taught classicism that Balthus cultivated as a framework for his more enigmatic artistic investigations. A conversation between Olivier Zahm and Setsuko Klossowska de Rola completes the catalogue, providing an insightful look into the world of this reclusive painter of charged and disquieting narrative scenes.
The Alchemical Actor offers an imagination for new and future theatre inspired by the manifesto of Antonin Artaud. The alchemical four elements – earth, water, air and fire and the four alchemical stages – nigredo, albedo, citrino and rubedo serve as initiatory steps towards the performance of transmutational consciousness. The depth psychological work of Carl G. Jung, the theatre techniques of Michael Chekhov and Rudolf Steiner infuse ‘this’ Great Work. Jane Gilmer leads the reader through alchemical imaginations beyond material cognition towards gold-making heart-thinking - key to new and future theatre.
Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
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This is the fourth edition of Alchemical Symbols. The purpose of this revision is to add more symbols, correct a small number of errors, and improve the overall layout of the text. We believe this to be the most comprehensive presentation of alchemical symbols available. Portions of the following symbol tables appeared in the "Last Will and Testament" of Basilius Valentinus in the seventeenth century. That table has been augmented with symbols from other sources including the "Alchemist's Handbook" by Frater Albertus, Dom Antoine Joseph Pernety's "The Great Art," Stanislas Klossowski de Rola's "Alchemy: The Secret Art," information taken from the works of Agrippa and John Read, symbols from ...