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"This book reconstructs the classical image of himself that Sigismondo Malatesta projected in fifteenth-century Italy."--Page [1].
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
Recent and increasing interest in art market studies—the dealers, mediators, advisors, taste makers, artists, etc.—indicate that the transaction of art and decorative art is anything but linear. Taking as its point of departure two of the most active agents of the late nineteenth century, Wilhelm von Bode and Stefano Bardini, the essays in this volume also look beyond, to other art market individuals and their vast and frequently interconnected, social and professional networks. Newly told history taken from rich business, epistolary and photographic archives, these essays examine the art market, within a broader and more complex context. In doing so, they offer new areas of inquiry for mapping of works of art as they were exchanged over time and place.
The Land Between Two Seas: Art on the Move in the Mediterranean and the Black Sea 1300-1700 focuses on the strong riverine ties that connect the seas of the Mediterranean system (from the Western Mediterranean through the Sea of Marmara, the Black Sea and the Sea of Azov) and their hinterland. Addressing the mediating role of the Balkans between East and West all the way to Poland and Lithuania, as well as this region’s contribution to the larger Mediterranean artistic and cultural melting pot, this innovative volume explores ideas, artworks and stories that moved through these territories linking the cultures of Central Asia with those of western Europe.
Robin Raybould's The Sibyl Series of the Fifteenth Century examines the startling and sudden change that occurred in the representation of the sibyls throughout Europe during the early Renaissance. Raybould describes how and why during this period the number, names, attributes and prophecies of these archaic prophetesses were selected and stabilized thus providing new witness to the Christian message in sharp contrast to earlier representations where the sibyls had played a minor role in the history of classical and Christian divination and prophecy. The book examines all the fifteenth-century instances of these series, as well as the manuscripts which describe them, identifies the origin of the sibylline prophecies and suggests reasons for the widespread popularity of this new artistic phenomenon.
Using the Braudelian concept of the Mediterranean this volume focuses on the condition of “coastal exchanges” involving the Dalmatian littoral and its Adriatic and more distant maritime network. Spalato and Ragusa intersect with Constantinople, Cairo and Spanish Naples just as Sinan, Palladio and Robert Adam cross paths in this liquid expanse. Concentrating on materiality and on the arts, architecture in particular, the authors identify portability and hybridity as characteristic of these exchanges, and tease out expected and unexpected serendipitous moments when they occurred. Focusing on translation and its instruments these essays expand the traditional concept of influence by thrusti...
This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.
The book is a contribution to the fields of pragmatism, intercultural philosophy, and social and political ethics. The argument in the book runs along two lines: firstly, four pragmatist philosophers (William James, John Dewey, Richard Rorty, and Roberto Mangabeira Unger) are discussed by putting them into their respective intercultural contexts. They are interpreted as philosophers that were/are either explicitly or implicitly linked to some of the key tenets in comparative and/or intercultural philosophy of the twentieth/twenty-first century. Secondly, the book looks to their particular works and discusses the role of the body and its important ethical potential. In their respective contex...
The life (in fact the lives) of Vlad III the Impaller or Dracula is a Rorschach test. Everybody sees what they want to see in the “documentary stains”. And these “stains” are expanding. Based on research in the archives and libraries of Budapest, Dubrovnik, Genoa, Mantua, Milan, Modena, Munich, Rome, Venice and Vienna, the book focuses on the conflictive medieval, and modern images created by the clash between the classical pictures of Vlad and the still preserved coeval sources.