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Change-Transformation And Critique of Urban Spaces Urban Spaces: Typology, Media, Art and New Perspectives
"This volume assembles an estimable range of critical analyses of one of the most important mediated artifacts of the modern world—the media event. The authors challenge the construct, extend its usefulness, expand its theoretical basis and application, and examine media events in a far larger and richer context than ever before. Students of global media today are well served by this superb collection of essays." David Morgan, Duke University, USA "A welcome and worthy successor to Dayan and Katz’s path-breaking study that expands and enriches the discourse on global media events." Daya Thussu, University of Westminster, UK "This is an excellent collection, that will enable new kinds of ...
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A proposal for a new media design to balance the contributions of humans and materials in the world they share. How can media design support a balance between our needs for self-expression and the material needs of the world we are part of? What criteria define a sustainable media ecology? In Vital Media, Michael Nitsche argues that the current human-centric view is not sustainable and that media are best viewed as dynamic networks where cognitive and noncognitive participants co-create. What we need, according to Nitsche, is a media design that balances the needs of all partners involved: vital media. Tracing this ideal through two domains of expression and making, performance and craft, Ni...
There are few media issues more pressing, or potentially more consequential, than the representation of ethnic minorities. Presented in an accessible style, this authoritative text therefore brings together leading international researchers who have examined some of the latest processes of change (and continuity) informing the field of ethnic minorities and the media.
The Painter of Time is an art history laden mystery that weaves its way between the dawn of the Renaissance and modern day New York. It questions the very nature of what we consider reality while at the same time exploring the cost of pursuing fame and fortune at the expense of true art.
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Based on empirical observations in Helsinki, Manchester and Berlin, this is a ground-breaking constructive critique of the concepts, underlying the practices of planning and architecture. With central notions of temporality, experiment and conflict, this book contextualizes Lefebvre's ideas on urban planning and architecture, but also allows insights to new theoretical work, including that of Finnish and Swedish authors. In doing so, it suggests and develops exciting new approaches and tools leading to 'experiential urbanism'.