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Il contenzioso familiare in Europa
- L’opera, curata da Fernanda Vaglio e Maria Grazia Zecca, analizza il contenzioso familiare in Europa. Le Autrici e gli Autori (docenti universitari, giudici, avvocati, pedagogisti, assistenti sociali ed esperti del settore) si muovono all’interno di: normativa, giurisprudenza e dottrina, nazionali, europee ed internazionali, per guidare il giurista nell’individuazione della corretta normativa da applicare alle controversie familiari in Europa.
Stefania Sandrelli
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Oreste Alla Biennale
Documentation of the project of the same title which was part of the exhibition dAPERTutto at the 48th Venice Biennale, 1999.
TOTalitarian ARTs
This collection represents a tool to broaden and deepen our geographical, institutional, and historical understanding of the term totalitarianism. Is totalitarianism only found in ‘other’ societies? How come, then, it emerged historically in ‘ours’ first? How come it developed in so many countries either in Western Europe (Italy, Germany, Portugal, and Spain) or under implicit Western forms of coercion (Latin America)? How do relations between individual(s), mass and the visual arts relate to totalitarian trends? These are among the questions this book asks about totalitarianism. The volume does not impose a ‘one size fits all’ interpretation, but opens new spaces for debate on t...
Behind Spanish American Footlights
Across a five-hundred-year sweep of history, Willis Knapp Jones surveys the native drama and the Spanish influence upon it in nineteen South American countries, and traces the development of their national theatres to the 1960s. This volume, filled with a fascinating array of information, sparkles with wit while giving the reader a fact-filled course in the history of Spanish American drama that he can get nowhere else. This is the first book in English ever to consider the theatre of all the Spanish American countries. Even in Spanish, the pioneer study that covers the whole field was also written by Jones. Jones sees the history of a nation in the history of its drama. Pre-Columbian Indian...
Silicon Carbide Micro Electromechanical Systems for Harsh Environments
This unique book describes the science and technology of silicon carbide (SiC) microelectromechanical systems (MEMS), from the creation of SiC material to the formation of final system, through various expert contributions by several leading key figures in the field. The book contains high-quality up-to-date scientific information concerning SiC MEMS for harsh environments summarized concisely for students, academics, engineers and researchers in the field of SiC MEMS. This is the only book that addresses in a comprehensive manner the main advantages of SiC as a MEMS material for applications in high temperature and harsh environments, as well as approaches to the relevant technologies, with...
Archeologia Medievale, XXII, 1995
«Archeologia Medievale» pubblica contributi originali riguardanti l’archeologia postclassica, la storia della cultura materiale in età pre-industriale e le scienze applicate nella forma di saggi e studi originali; relazioni preliminari di scavo; contributi critici su libri, articoli, ritrovamenti, ecc. Vengono pubblicati sia testi in italiano che in altre lingue.
Italian Cinema and Modern European Literatures
The history of cinema, and notably that of post-war Italian cinema, can only be understood adequately in the context of other contiguous cultural disciplines. World literature, including that of France, Germany, and Russia, played a key role in the development of post-war Italian film and the cinematic technique it has come to embody. Moving away from the usual modes of defining this period—a trajectory that begins with neorealism and ends with Bertolucci—author Carlo Testa offers proof that coming to terms with literary texts is an essential step toward understanding the motion pictures they influenced. The means of recreating literature for the screen has changed drastically over the last half-century, as has the impact of different national traditions on Italian cinema. Testa's work is the first to explicitly and deliberately link postwar Italian cinema to general intellectual concerns such as the relationship between literary authors and cinematic auteurs. Moreover, his analysis of the impact of French, German, and Russian cultures on Italy brings forth a new reading of Italian cinema, a new paradigm for exploring complex issues of authorship, culture, and art.
