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Gregor Schneider
Talks about artist Gregor Schneider's extension of the original work, a document and exploration of Schneider's obsession with repression, reproduction, and repetition in images and text. Internationally renowned for his unnerving presentation of normality, Schneider's medium is the room - kitchen, living room, bedroom, bathroom, and cellar.
Architecture
The question of what architecture is answered in this book with one sentence: Architecture is space created for human activities. The basic need to find food and water places these activities within a larger spatial field. Humans have learned and found ways to adjust to the various contextual difficulties that they faced as they roamed the earth. Thus rather than adapting, humans have always tried to change the context to their activities. Humanity has looked at the context not merely as a limitation, but rather as a spatial situation filled with opportunities that allows, through intellectual interaction, to change these limitations. Thus humanity has created within the world their own contextual bubble that firmly stands against the larger context it is set in. The key notion of the book is that architecture is space carved out of and against the context and that this process is deterministic.
Articulate Objects
How do objects 'speak' to us? What happens to authorship when voice is projected into inanimate objects? How can one articulate an object into speech? Is the inarticulate body necessarily silent? These are just some of the questions brought up by this unique and unusual collection of essays, which presents subjects and categories often overlooked by the disciplines of art history, visual culture, theatre history and comparative literature. Drawing from and expanding upon the 'Performing Objects, Animating Images' academic session run by the Henry Moore Institute at the Association of Art Historians conference, held in London in 2003, this book presents thirteen essays that bring together a m...
The Gothic
This comprehensive survey of the Gothic in contemporary visual culture explores the work of artists ranging from Andy Warhol to Cindy Sherman to Matthew Barney, with texts by Julia Kristeva, Marina Warner, Jeff Wall, and many others.
Public Intimacy
An examination of architecture and art as a screen of vital cultural memory that considers museum culture, visual technology, and the border of public and private space. In this thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space—a screen of vital cultural memory—has come to shape our visual culture. Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from moderni...
Vitamin Ph
The definitive book on contemporary photography, featuring 121 international artists.
The Illuminations
How much do we keep from the people we love? Why is the truth so often buried in secrets? Can we learn from the past or must we forget it? Standing one evening at the window of her house by the sea, Anne Quirk sees a rabbit disappearing in the snow. Nobody remembers her now, but this elderly woman was in her youth a pioneer of British documentary photography. Her beloved grandson, Luke, now a captain with the Royal Western Fusiliers, is on a tour of duty in Afghanistan, part of a convoy taking equipment to the electricity plant at Kajaki. Only when Luke returns home to Scotland does Anne's secret story begin to emerge, along with his, and they set out for an old guest house in Blackpool where she once kept a room.
Mike Nelson
To enter Mike Nelson's The Coral Reef is to enter a parallel world. Rooms, doors, passageways, all bear traces of habitation and decay. Different, often conflicting, ideologies or belief systems are presented through these traces. The implied occupants of Nelson's world appear to be detached from the political and economic centre, left to exist at the margins of globalised, capitalist society. The work's title alludes to this collection of complex, fragile belief systems that form an obscured layer - a coral reef - beneath the 'ocean surface' of prevailing orthodoxies. Nelson's absent protagonists occupy positions of resistance in the face of dominant ideologies. However, Nelson perhaps conveys a sense of inevitable futility about such resistance. In his words, he wants the spectator to feel 'lost in a world of lost people'.
Thomas Demand
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