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Alexander Kluge: Cinema Impure: An Eclectic Modernist Style
Through his films and theoretical writings, and as a television producer, teacher, political lobbyist, lawyer, and public spokesman, Alexander Kluge has played a substantial role in creating the New German Cinema, as well as in German cultural politics. Since 1961 Kluge has produced almost thirty films and hundreds of television programs, written four volumes of fiction, coauthored three major works of sociocultural theory, and won almost every major literary and film prize in Germany. Peter Lutze provides in-depth analysis of Kluge's films and television work but also devotes attention to his political work. In raising issues that have become key questions in contemporary debates about modernism and postmodernism, Kluge's films and pronouncements demonstrate his modernist sensibility and an appropriation of modernist formal strategies for the purpose of the social critique.
Alexander Kluge
"Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer." This work features scholarly essays, plus articles, stories, and interviews involving Kluge. -- from back cover.
Toward Fewer Images
The first English-language monograph devoted to the full oeuvre of Alexander Kluge, the prolific German filmmaker, television producer, digital entrepreneur, author, thinker, and public intellectual. Alexander Kluge (born 1932) is a German filmmaker, author, television producer, theorist, and digital entrepreneur. Since 1960, he has made fourteen feature films and twenty short films and has written more than thirty books—including three with Marxist philosopher Oskar Negt. His television production company has released more than 3,000 features, in which Kluge converses with real or fictional experts or creates thematic montages. He also maintains a website on which he reassembles segments ...
Difference and Orientation
Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands his video production to the internet. Despite Kluge's five decades of work in philosophy, literature, television, and media politics, his reputation outside of the German-speaking world still largely rests on his films of the 1960s, 70s, and 80s. With the aim of introducing Kluge's heterogeneous mind to an Anglophone readership, Difference and Orientatio...
Alexander Kluge
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Cosmic Miniatures and the Future Sense
Alexander Kluge’s revolutionary storytelling for the 21st-century pivots on the production of anti-realist hope under conditions of real catastrophe. Rather than relying on possibility alone, his experimental miniatures engender counterfactual horizons of futurity that are made incrementally accessible to lived experience through narrative form. Innovative close readings and theoretical reflection alike illuminate the dimensional quality of future time in Kluge’s radical prose, where off-worldly orientation and unnatural narrative together yield new sensory perspectives on associative networks, futurity, scale, and perspective itself. This study also affords new perspectives on the importance of Kluge’s creative writing for critical studies of German thought (including Kant, Marx, Benjamin, and especially Adorno), Holocaust memory, contemporary globalization, literary miniatures, and narrative studies of futurity as form. Cosmic Miniatures contributes an experiential but non-empirical sense of hope to future studies, a scholarly field of pressing public interest in endangered times.
Public Sphere and Experience
The “public sphere” is a key concept in political discourse, designating a space for political action. But is this a single authoritative and universal space in which various positions compete for recognition, or does it consist of multiple local spaces spread over diverse collectivities? In Kluge and Negt’s groundbreaking book they examine the material conditions of experience in an arena that had previously figured only as an abstract term: the media of mass and consumer culture. With a new, up-to-date introduction from Alexander Kluge.
Pluriverse
Alexander Kluge sees himself as an author. He inspires his readers, listeners and viewers with his films, texts interviews and much more besides. On the occasion of his 85th birthday, Museum Folkwang is presenting an exhaustive exhibition destined to visualize the core of his multimedia oeuvre. Kluge forges links and then explores through them what makes human beings tick, how we are unique and stubborn, capable of judgement, to what extent history and stories are stored within us, what felt and what real options for action we have, and why our biographies are a currency. Alexander Kluge uses images, texts and objects to create ever new constellations, whose sense or nonsensicality is primarily the product of montage. Kluge allows our imagination to germinate in the interstices between the two poles. Central to him are the links between emotion and reason, and he is forever hunting down the theoretical in everyday life.
