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Portfolio
  • Language: en
  • Pages: 410

Portfolio

  • Type: Book
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  • Published: 2004
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  • Publisher: Unknown

None

The Sublime
  • Language: en
  • Pages: 244

The Sublime

  • Categories: Art

The continuing relevance and constant reinvention of the sublime--the transcendent, the awe-inspiring, the unpresentable--in art and culture since 1945.

Without Boundary
  • Language: en
  • Pages: 120

Without Boundary

  • Categories: Art

Is it possible to speak of a contemporary art with an Islamic difference? This question is the subject of an exhibition that brings together artists who come from the Islamic world. Tapping into certain aesthetic, political, and spiritual notions, this book seeks to highlight the nuanced reactions of each individual artist.

Isthmus
  • Language: en
  • Pages: 152

Isthmus

  • Type: Book
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  • Published: 1995
  • -
  • Publisher: Unknown

None

Work Ethic
  • Language: en
  • Pages: 254

Work Ethic

  • Categories: Art

Examines the proliferation of new ways of making "art" in the 1960s by focusing on the changed organization of work in society at the time. Co-published with The Baltimore Museum of Art in conjunction with an exhibition of the same name.

Dream Machines
  • Language: en
  • Pages: 140

Dream Machines

  • Categories: Art

***Information is forthcoming from the Hayward Gallery

Act 2
  • Language: en
  • Pages: 172

Act 2

  • Categories: Art

This text aims to create a site between academic scholarship and other forms, modes and genres of writing including essays in imaging, photography and other textual forms. Art is viewed as both presentation and re-presentation of theory: produced in the interface between these two forms of address. It argues that serious art writing is only possible though drawing upon a multiplicity of intellectual models and modes which include critical theory and literature, whilst also testing the limits of their institutional and pedagogical effects. The edges between traditionally separate categories are brought into tension to provide a site where a various views and practices can be realized.

Photography
  • Language: en
  • Pages: 255

Photography

  • Categories: Art
  • Type: Book
  • -
  • Published: 2009-12-16
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  • Publisher: Routledge

Photography explores the photograph in the twenty-first century and its importance as a media form. Stephen Bull considers our media-saturated society and the place of photography in everyday life, introducing the theories used to analyse photographs and exploring the impact of digital technology. The text is split into short, accessible chapters on the broad themes central to the study and analysis of photography, and key issues are explained and applied to visual examples in each chapter. Topics covered include: the identity of photography the meanings of photographs photography for sale snapshots the photograph as document photography as art photographs in fashion photography and celebrity. Photography is an up-to-date, clear and comprehensive introduction to debates about photography now and is particularly useful to media, photography and visual culture students.

Chinese Contemporary Art in the Global Auction Market
  • Language: en
  • Pages: 366

Chinese Contemporary Art in the Global Auction Market

  • Categories: Art
  • Type: Book
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  • Published: 2022-04-04
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  • Publisher: BRILL

Chinese Contemporary Art in the Global Auction Market charts the rapid emergence of a multi-million-dollar global market for Chinese Contemporary art by revealing the strategic activities of art world agents in promoting the work of ‘avant-garde’ Chinese artists to a Western audience.

Contemporary British Artists of African Descent and the Unburdening of a Generation
  • Language: en
  • Pages: 262

Contemporary British Artists of African Descent and the Unburdening of a Generation

  • Categories: Art
  • Type: Book
  • -
  • Published: 2017-10-27
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  • Publisher: Springer

This book explores the notable roles that contemporary British artists of African descent have played in the multicultural context of postwar Britain. In four key case studies— Magdalene Odundo, Veronica Ryan, Mary Evans, and Maria Amidu—Monique Kerman charts their impact through analysis of works, activities, and exhibitions. The author elucidates each of the artists’ creative response to their unique experience and examines how their work engages with issues of history, identity, diaspora, and the distillation of diverse cultural sources. The study also includes a comparative discussion of art broadly defined as “black British,” in order to question assumptions concerning racial and ethnic identities that the artists often negotiate through their works—particularly the expectation or “burden” of representing minority or marginalized communities. Readers are thus challenged to unburden the artists herein and celebrate their work on its own terms.