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The Real Messiah puts forward the suggestion that Jesus never was and never claimed to be the promised Messiah of the Jews. Rather he thought of himself as the herald to the true Messiah, who was Marcus Julius Agrippa, the last King of the Jews who was a contemporary of Jesus. Marcus Agrippa was only a child when he came to the title of King and he lived through the reigns of some of the most well-known and infamous Roman Emperors: Tiberius, Caligula, Claudius and Nero. His kingdom was in the Near East but his lands fell within the Roman Empire, of which he was a staunch supporter. Marcus Agrippa survived through the most turbulent times imaginable and was the man who truly began what came to be known as the Christian religion. He wanted to build a faith to which anyone, Jew or Gentile, could aspire and he was initially very successful. Only with the passing of time did those in charge of the new faith capitulate to the changing whims of successive Roman Emperors and start to build a faith founded on Jesus rather than Marcus Agrippa.
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
Planet Earth continues to creep to the edge of an abyss, and we have no one to blame but ourselves. As we've evolved, we've engaged in egregious behaviors without thinking about the consequences. Whether it's reproducing in large numbers, killing off other species or exploiting natural resources, we've failed to consider the impact of our actions. David Louis Sussman, a lifelong environmentalist, examines our missteps and suggests how we might alter our approach to boost the chances for survival for ourselves and other living things. He explores topics such as: - free will and how it can be a polarizing force; - sexual repression and its destabilizing consequences; - missteps by religious le...
'Jesus in an Age of Neoliberalism' analyses the ideology underpinning contemporary scholarly and popular quests for the historical Jesus. Focusing on cultural and political issues, the book examines postmodernism, multiculturalism and the liberal masking of power. The study ranges across diverse topics: the dubious periodisation of the quest for the historical Jesus; 'biblioblogging'; Jesus the 'Great Man' and western individualism; image-conscious Jesus scholarship; the 'Jewishness' of Jesus and the multicultural Other; evangelical and 'mythical' Jesuses; and the contradictions between personal beliefs and dominant ideological trends in the construction of historical Jesuses. 'Jesus in an Age of Neoliberalism' offers readers a radical revisioning of contemporary biblical studies.
Wherever there is life, there are lies. Slick-suited politicians lie on the podium, ready to tell voters what they want to hear. Cheating lovers, swindling businessmen, double-crossing villains – all liars. But nature lies too – the cheetah crouching in the tall grass waiting to pounce, its spots and straw-coloured fur blending in with its surroundings, the chameleon with its adaptable skin, the octopus hiding in its cave. Juan Jacinto Muñoz-Rengel uncovers the slippery history of lies, some dark and elusive, others thunderous and dazzling. From primeval forests to modern politics, he explores the uncomfortable truths of our white lies, fudged facts and blatant deceptions. For centuries, philosophers, writers and poets have grappled with the paradox of what’s fact and what’s fiction. So who can we really believe? Our friends? Our partners? Our leaders? Can we even trust ourselves? Truly, this is the only book in which the abundance of lies on its pages is a sign of success. Or maybe it isn’t. Who can really tell?
Despite having enjoyed almost universal assent by scholars up till now, Chris Hansen swims into practically uncharted waters to show that one of the most overlooked and inconspicuous New Testament writings may, in fact, be a forgery. In the first English language book to ever cover the subject of Philemon’s authenticity, Hansen provides a detailed historiographical overview of the problem, and raises challenging questions regarding the literary contents, themes, style, and intertextual relationships in Philemon. Hansen’s research and surprising conclusions will certainly be of interest to those unfamiliar with Philemon’s questionable history.
The Netherlands Film Museum's Desmet Collection contains the estate of Dutch cinema owner and film distributor Jean Desmet (1875-1956): almost nine hundred European and American films of all genres, a collection of publicity material, and a massive business archive. These three sources form the basis of this book, the first comprehensive reconstruction of Desmet's career. From his nomadic beginnings as a traveling showman to his successful switch to permanent cinema operation and film distribution, Blom shows how Desmet's fortunes encapsulated a series of structural changes within the new culture of the cinema.