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Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
William Sabin was born in Titchfield, Hampshire, England in 1609. His parents were Samuel Sabin and Elizabeth. He married Mary Wright. They emigrated sometime before 1642 and settled in Rehoboth, Massachusetts. They had twelve children. Mary died in 1660. William married Martha Allen in 1663 and they had eight children. William died in 1686. Descendants and relatives lived in Massachusetts, Connecticut, New York, Vermont, Nova Scotia and elsewhere.
Seventeen-year-old Sierra Carter is a suicide survivor that wants a chance at a normal life. So what if that normal life is in a boarding school away from her blended family a town over. For once, things are going right for Sierra; she's relatively happy, she has good friends, the new guy at school is showing an interest in her, and she has a chance at being normal. Until an acquaintance turns up dead, and on a foggy night, she comes face to face with the monster that did it—a creature straight out of myth and folklore. After a narrow escape, Sierra decides to keep the encounter under wraps, which seems like a good idea until it isn't. As her friends start getting picked off one by one, Sierra has to find out who the werewolf is and how to stop them before she has no one left. Along the way, Sierra has to find strength in herself and a will to live in the face of ultimate death.
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A novel set in the 60's by a writer who lived through them.
Covers receipts and expenditures of appropriations and other funds.
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
What can a brain scan, or our reaction to a Caravaggio painting, reveal about the deep seat of guilt? How can reading Heidegger, or conducting experiments on rats, help us to cope with anxiety in the face of the world's economic crisis? Can ancient remedies fight sadness more effectively than anti-depressants? What does the neuroscience of acting tell us about how we feel empathy, and fall for an actor on stage? What can writing poetry tell us about how joy works? And how can a bizarre neurological syndrome or a Shakespearean sonnet explain love and intimacy? We live at a time when neuroscience is unlocking the secrets of our emotions. But is science ever enough to explain why we feel the way we feel? Giovanni Frazzetto takes us on a journey through our everyday lives and most common emotions. In each chapter, his scientific knowledge mixes with personal experience to offer a compelling account of the continual contrast between rationality and sentiment, science and poetry. And he shows us that by facing this contrast, we can more fully understand ourselves and how we feel.