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An Old Story. Stephen Grattan had been a drunkard, and was now a reformed man. John Morely had been a drunkard, and was trying to reform. His father, though not a total abstainer, had lived and died a temperate man. But John Morely was not like his father. He had in him, the neighbours said, "the makings" of a better or a worse man than ever his father had been; and when, after his mother's death, the young builder brought home the pretty and good Alice Lambton as his wife, a "better man" they all declared he was to be; for they believed that now he would not be in danger from his one temptation. But as his business increased, his temptation increased. He was an intelligent man, and a good f...
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
This is a comprehensive survey of, and guide to the science fiction genre in American films from the inception of the medium in 1897 until 1929. The authors argue for the inclusion of many early films that would otherwise not be generally considered science fiction films as are known today, but are considered for their speculative fictional qualities and inclusion of mechanical devices and inventions that do strange or miraculous things.
FINALIST FOR THE 2022 LA TIMES ART SEIDENBAUM AWARD FOR FIRST FICTION. LONGLISTED FOR THE PEN/HEMMINGWAY AWARD FOR DEBUT NOVEL. A New York Times Book Review Editors' Choice. "A wonderful, immersive debut novel . . . in [Thomas] Grattan’s hands, life’s joys are magnetic." --Patrick Nathan, The New York Times Book Review An extraordinary family saga following a mother and two teens as they navigate a new life in East Germany Shortly after the fall of the Berlin Wall, Beate Haas, who defected from East Germany as a child, is notified that her parents’ abandoned mansion is available for her to reclaim. Newly divorced and eager to escape her bleak life in upstate New York, where she moved a...
An important figure in the development of crime fiction, Mary Elizabeth Braddon (1835-1915) wrote more than 80 novels, numerous plays, poems, essays and short stories, and edited two magazines during her 55-year literary career. Her bestselling Lady Audley's Secret secured her reputation as a leading "sensation novelist." Though critics called her work immoral, Braddon's novels influenced the detective fiction of the late Victorian period. With entries on all her published writing, characters, relationships and influences, and themes and contexts, as well as numerous illustrations, a career chronology, and a chronological and alphabetical listing of all of her works, this companion to Braddon's mystery fiction is the definitive reference on this provocative but overlooked writer.
A 1997 bibliography of American fiction from 1901-1925.
A USEFUL REFERENCE GUIDE FOR THOSE WHO SEEK AN EXPEDITIONS MEANS OF INFORMING THEMSELVES AVOUT DATES, PLOTS, OR CHARACTERS IN CONNECTION WITH THE WORKS OF ANY OR ALL OF OUR FIVE WRITERS; ANNE BRONTE, JANE AUSTEN, GEORGE ELIOT, EMILY BRONTE AND CHARLOTTE BRONTE.