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The artist's multiple is perhaps the art of the twentieth century. If in the nineteenth century art could be seen as distinct from products of industry, in the early twentieth century industry could confidently project itself as art. The artist's multiple, in its delight in reproducibility, industrial fabrication, and new processes and materials, exemplifies this trend. Stephen Bury explores the historical background of the multiple, examining its relationship to the jeu d' esprit of the artist's studio, the readymade, constructivism, the store and the everyday. It looks at the work of Marcel Duchamp, George Maciunas, Joseph Beuys and Felix Gonzalez-Torres as well as contemporary practice, such as 'The Multiple Store'.An illustrated and chronologically arranged catalogue of over 800 multiples produced between 1935 and 2000 provides a wide selection of different approaches by artists to the medium. A chronology, glossary and detailed bibliography are also included.
"The Frick Art Reference Library, founded by Helen Clay Frick, has been part of the international infrastructure of art history since its inception. It has always been innovative--with its photographic field trips, periodical indexing, involvement in the founding of the international photo archive consortium, PHAROS, web archiving, and digital art history. The library is looking back at its work over the last hundred years through one hundred objects, not just from its extensive collection of books, auction catalogs, photographs and archives, but through its spaces, artworks and the traces of some of its actors: Helen Clay Frick herself obviously, but also her French agent Madame Brière, and librarians such as Pauline Wells or Doriece Colle" -- 2e couverture.
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"The spread of printing in the 16th century severed the relationship between artist and book, but modern developments in technology - such as lithography and desk-top publishing - have enabled this relationship to be restored. This book, which explores the history of artists' involvement with the book format in the 20th century, provides the historical, philosophical and artistic background for practitioners and art historians." "The book considers the pre-history of the artist's book, beginning with the work of Mallarme and Apollinaire, Cubist, Futurist, Dada and Fluxus books; the upsurge of manifesto, serial and conceptual works of the 1960s and 1970s and the growth of a self-conscious artists' books tradition in the 1980s and 1990s. The development of the artists' books are placed in the context of technological changes and movements in the history of modern art." "Comprehensive reference material is provided by a bibliographic listing of over 500 key artists' books, an exhibition chronology, invaluable practical advice for the collector and librarian and an extensive index."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The history of artists’ involvement with the book format between 1963 and 2000 includes a fascinating range of artists and movements from Mallarméto the Piece of Paper Press via Cubism, Futurism, Dada, Fluxus and conceptual art. This second edition includes updated text with new bibliographic descriptions of 600 key artists’ books and over 130 new, full-page, colour illustrations taken from the internationally renowned Chelsea College of Art & Design Library collection. It is an indispensable resource for the definition and classification of artists’ books by a renowned scholar in the field.0.
Focuses on the printed work of avant garde participants, demonstrating its importance to the various groups and the way in which printed works helped to disseminate information and ideas internationally. This book contains around 100 illustrations of avant garde printed work.
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