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This is the very first study dedicated exclusively to politics in Stephen King’s fiction. It is a window into the turbulent political climate of the U.S. today (via popular culture). It is an exciting conversation between major political theorists and America’s most popular purveyor of horror
Compares experiences of the Arab Spring for a comprehensive account of how nations handled the challenge of democratic consolidation.
Stephen J. King considers the reasons that international and domestic efforts toward democratization have failed to take hold in the Arab world. Focusing on Egypt, Tunisia, Syria, and Algeria, he suggests that a complex set of variables characterizes authoritarian rule and helps to explain both its dynamism and its persistence. King addresses, but moves beyond, how religion and the strongly patriarchal culture influence state structure, policy configuration, ruling coalitions, and legitimization and privatization strategies. He shows how the transformation of authoritarianism has taken place amid shifting social relations and political institutions and how these changes have affected the lives of millions. Ultimately, King's forward-thinking analysis offers a way to enhance the prospects for democracy in the Middle East and North Africa.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published. Soon to be a television series. 'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic. First come the days of the virus. Then come the dreams. Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of Evil. His time is at hand. His empire grows in the west and the Apocalypse looms. When a man crashes his car into a petrol station, he brings with him the foul corpses of his wife and daughter. He dies and it doesn't take long for the virus which killed him to spread across America and the world.
The author of three previous works about the modern master of horror describes unpublished manuscripts, childhood and student writings, nonfiction articles, and even poetry by King, providing insight into King's personality and his evolution as a writer. Seventy-five rarities are described and summarized, with selected excerpts and notes on how to obtain a complete copy of the work. Appendices review all of his mainstream material and film adaptations of his work, including student films and TV features. Annotation copyrighted by Book News, Inc., Portland, OR
In this newly available paperback edition, Spignesi selects and ranks the top 101 works out of the more than 550 created by Stephen King during his prolific career. Each chosen work is synopsized and reviewed by the writer who Entertainment Weekly has called "the world's leading expert on Stephen King." Fiction and nonfiction, well known and obscure, scary and scarier -- discussions of King's best short stories, novellas, screenplays, novels, essays, forewords, articles, introductions, and more are all here! From his best-selling novels (The Dead Zone, The Shining, Carrie, The Green Mile, Pet Sematary, It, Riding the Bullet, The Plant, The Dark Tower series, Insomnia), to short stories and novellas ("Survivor Type," "The Last Rung on the Ladder," "Gramma," "Shawshank Redemption"), thought-provoking nonfiction (Danse Macabre, On Writing, "Remembering John," "My Little Serrated Security Blanket," "Leaf-Peepers"),...even an amazing column from King's college newspaper ("The Subject This Week is Cops")! The Essential Stephen King provides uncompromising summation and review of King's work by an acknowledged King authority. It is a must for both the serious and casual fan. Book jacket.
#1 New York Times bestselling author and master of horror Stephen King teams up with Bev Vincent of Cemetery Dance to present a terrifying collection of sixteen short stories (and one poem) that tap into one of King’s greatest fears—air travel—featuring brand-new stories by King and Joe Hill, “an expertly compiled collection of tales that entertain and scare” (Booklist). Stephen King hates to fly, and he and co-editor Bev Vincent would like to share their fear of flying with you. Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you’re suspended six miles in the air, hurtling through space at more than 500 mph, and sealed up in a metal...
Now fans, researchers, and collectors can have easy access to all things King with this definitive sourcebook. This one-of-a-kind encyclopedia, now in paperback, features an exhaustive 18,000-entry concordance covering the people, places, and things mentioned in King's novels and stories, as well as helpful reference guides, sidebars, and never-before-available information. 50 photographs. 20 line drawings.
Originally published in a limited edition (3,000) by Popular Culture, Ink in mid-1991, at a price of $110. Those who held off at that price might reconsider purchase at $35. "Encyclopedia" implies some sort of organization; this work is more accurately an exuberantly obsessed compendium. It contains essays, fiction, and poems by people associated with King, commenting on his work and personality; annotated indexes to characters, film adaptations, and unpublished works; concordances; interviews; and photographs. Annotation copyright by Book News, Inc., Portland, OR
In Violence in the Films of Stephen King, contributors analyze the theme of violence in the film adaptations of Stephen King’s work—ranging from the earliest films in the King canonto his most recent iterations—through a variety of lenses. Investigating the diverse and varying roles that violence continues to play as both the level of violence and the gendered depictions of violence have evolved, many of the contributors come to the conclusion that King’s films have grown more violent over time. This book also examines the fine line between necessary violence and sensationalist violence, discussing the complexity of determining what constitutes violence with a narrative and ethical significance versus violence intended solely to titillate, repulse, or otherwise draw an emotional reaction from viewers. Scholars of film studies, horror studies, literary studies, and gender studies will find this book particularly useful.