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Deadly Sanction
The Oss Chronicles continue in this compelling sequel to Wolf's Lair. Top Allied Agent Stephen Bartlett and his family are kidnapped by Nazi leaders intent on revenge for Bartlett's part in the assassination of an infamous war criminal. But Bartlett escapes and begins a desperate mission to rescue his wife and son from one of the Nazi's harshest concentration camps. He is quickly plunged into a dark world of international intrigue where he's finally faced with an impossible choice. Does he rescue his family--or try to end the war?
A Secret Singing
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Avant-garde Film
This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the ¿classical¿ avant-garde cinema of the 192...
The Undercut Reader
A collection of writings and visual works from the UK magazine Undercut, together with newly-commissioned articles by leading critics in the field.
Avant-Garde Film
This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1...
We are the Real-time Experiment
Over the past twenty years FACT (Foundation for Art and Creative Technology) has expanded from a small, Liverpool-based agency to an international leader in art, research, and creative technology, through exhibits, installations, commissions, and a variety of published works. We Are the Real-Time Experiment is a beautifully produced, highly illustrated volume that commemorates the twentieth anniversary of FACT by revisiting some of the pioneering projects that helped shape the course of the development of new media art. And at the same time that the editors look with pride to past accomplishments, they take pains to suggest directions for the innovations and ideas of the future as well.
Walking in the City
In this book, Catharina Löffler traces the psycho-physical experiences of London walkers in eighteenth-century literature. For this purpose, readings of fascinating, exciting, comical and sometimes disturbing texts grant insights into a culturally, historically and socially significant time in the history of London and make this book a tour of London as seen and heard through the eyes and ears of fictional eighteenth-century urban walkers. Uniting concepts of literary theory, urban studies and psychogeography, Löffler approaches a cross-generic range of literary texts that design uniquely subjective visions and versions of the city. A journey through the fictions and factions of eighteenth-century London, this book provides a compelling read for anyone interested in the history and literature of the English capital.
Electric Seeing
What is the subject of video? Charlotte Klink traces the development of electromagnetism in the pursuit of »Electric Seeing« that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as »video«. This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana, Hito Steyerl, and Bjørn Melhus.
