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"An outstanding set of studies that work well with each other to produce truly substantial and rich insights into the making and consuming of art in the colonial and post-colonial world."—Susan S. Bean, Curator, Peabody Essex Museum
"A Communion of Subjects is the first comparative and interdisciplinary study of the conceptualization of animals in world religions. Scholars from a wide range of disciplines consider how major religious traditions have incorporated animals into their belief systems, myths, rituals, and art. Their findings offer profound insights into humans' relationships with animals and a deeper understanding of the social and ecological web in which we all live." "Contributors examine Judaism, Christianity, Islam, Hinduism, Buddhism, Jainism, Daoism, Confucianism, African religions, traditions from ancient Egypt and early China, and Native American, indigenous Tibetan, and Australian Aboriginal traditio...
10 Useful but dangerous: photography and the Madras School of Art, 1850-73 -- 11 Temporal transformations: terracotta and trash -- Index
This volume explores the effects of the religious transformation taking place in India as sacred symbols assume the shapes of media images. Lifted from their traditional forms and contexts, many religious symbols, beliefs, and practices are increasingly refracted through such media as god posters, comic books, audio recordings, and video programs. The ten original essays here examine the impact on India's traditional social and cultural structures of printed images, audio recordings, film, and video. Contributors: Lawrence A. Babb, Steve Derné, John Stratton Hawley, Stephen R. Inglis, John T. Little, Philip Lutgendorf, Scott L. Marcus, Frances W. Pritchett, Regula Burckhardt Qureshi, H. Daniel Smith, and Susan S. Wadley.
In recognition of the year 2000 and its significance for the Christian world, religion provides the common thread that binds together the book’s variety of subject matter, concerns and methodologies. This compilation of eleven papers focuses on politics, museums, religion and war; reports and surveys; as well as research based on the collections.
In a cultural history which considers the transformation of south Indian institutions under British colonial rule in the nineteenth century, Pamela Price focuses on the two former 'little kingdoms' of Ramnad and Sivagangai which came under colonial governance as revenue estates. She demonstrates how rivalries among the royal families and major zamindari temples, and the disintegration of indigenous institutions of rule, contributed to the development of nationalist ideologies and new political identities among the people of southern Tamil country. The author also shows how religious symbols and practices going back to the seventeenth century were reformulated and acquired a new significance in the colonial context. Arguing for a reappraisal of the relationship of Hinduism to politics, Price finds that these symbols and practices continue to inform popular expectation of political leadership today.
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From products we use to clothes we wear, and spaces we inhabit, we rely on colour to provide visual appeal, data codes and meaning. Color and Design addresses how we understand and experience colour, and through specific examples explores how colour is used in a spectrum of design-based disciplines including apparel design, graphic design, interior design, and product design. Through highly engaging contributions from a wide range of international scholars and practitioners, the book explores colour as an individual and cultural phenomenon, as a pragmatic device for communication, and as a valuable marketing tool. Color and Design provides a comprehensive overview for scholars and an accessible text for students on a range of courses within design, fashion, cultural studies, anthropology, sociology and visual and material culture. Its exploration of colour in marketing as well as design makes this book an invaluable resource for professional designers. It will also allow practitioners to understand how and why colour is so extensively varied and offers such enormous potential to communicate.