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An investigation into the gastronomic universe of Andrea Camilleri, expressed through his illustrious character: Inspector Montalbano, gluttonous and constantly affected by an immoderate appetite. For him, food is the main object of desire and must be conquered at all costs, but the secrets of the succulent dishes are guarded by others, the housemaid Adelina, Calogero, Enzo. The recipes are revealed in these tasty pages to be savored in silence and solitude, with a happy and clear mind, as when Montalbano sits down to taste his favorite dishes. The result is an anthology as inviting as a well laid table, with evocations of foods and dishes taken from Camilleri’s childhood memories in Sicily.
A Nest of Vipers is the twenty-first novel in Andrea Camilleri’s irresistible Inspector Montalbano series. On what should be a quiet Sunday morning, Inspector Montalbano is called to a murder scene on the Sicilian coast. A man has discovered his father dead in his Vigàtan beach house, his body slumped on the dining room floor, his morning coffee spilled across the table, and a single gunshot wound at the base of his skull. First appearances point to the son having the most to gain from his father’s untimely death, a notion his sister can’t help but reinforce. But when Montalbano delves deeper into the case, and learns of the dishonourable life the victim led, it soon becomes clear half of Vigàta has a motive for his murder and this won’t be as simple as the inspector had once hoped . . . A Nest of Vipers is followed by the twenty-second gripping mystery, The Pyramid of Mud.
WINNER OF THE CWA INTERNATIONAL DAGGER AWARD 2012 Now a major BBC4 television series From the Italian crime legend, Andrea Camilleri, comes The Potter's Field, a dark mystery featuring the inimitable Inspector Montalbano. While Vigàta is wracked by storms, Inspector Montalbano is called to attend the discovery of a dismembered body in a field of clay. Bearing all the marks of an execution style killing, it seems clear that this is, once again, the work of the notorious local mafia. But who is the victim? Why was the body divided into thirty pieces? And what is the significance of the Potter's Field? Working to decipher these clues, Montalbano must also confront the strange and difficult beh...
The enormous popularity of Stieg Larsson's Millennium trilogy has raised awareness of other contemporary European authors of crime fiction. As a result, several of these novelists now reach a receptive American audience, eager for fresh perspectives in the genre. This critical text offers an introduction to current European crime writing by exploring ten of the best new crime nd mystery authors from Sweden (Stieg Larsson and Henning Mankell), Norway (Karin Fossum and Jo Nesbo), Iceland (Arnaldur Indridason), Italy (Andrea Camilleri), France (Fred Vargas), Scotland (Denise Mina and Philip Kerr), and Ireland (Ken Bruen), who are reshaping the landscape of the modern crime novel. Instructors considering this book for use in a course may request an examination copy here.
By exploring the transcultural nature of Mediterranean crime fiction, Barbara Pezzotti advocates for a regional 'reading' of the genre.
The Track of Sand is Andrea Camilleri's twelfth outing in the wryly humorous Inspector Montalbano series. Inspector Montalbano rises one morning to find the carcass of a horse on the beach in front of his seaside home. But no sooner do his men arrive, than the body has mysteriously vanished, leaving only a track in the sand. Before long Rachele, a beguiling equestrian champion, turns up at police headquarters to report her horse missing. The horse had been stabled at the grounds of a certain Saverio Lo Duca, one of the richest men in Sicily. Lo Duca has lost one of his own horses too. Montalbano, his curiosity piqued, investigates, but before long things take a more disturbing turn . . . But...
Thanks to writers like Mario Puzo, filmmakers like Francis Ford Coppola and Martin Scorsese, and actors like Al Pacino and James Gandolfini, American and Sicilian Mafia characters are well-known figures in contemporary popular culture. Other powerful organized crime groups appearing in popular media include the Neapolitan Camorra and Mexican drug cartels. This book takes a close look at all these examples of organized crime by examining the different ways these organizations and their members have been portrayed in many of our most popular novels, movies, and TV series, and how the gangster figure has evolved from its earliest depictions in a trio of Hollywood films in the 1930s up to the present day.
What is Italian pop culture? This volume provides an answer to this question, offering an insight into some of the most recent and interesting developments in the field of pop culture. The reader will find essays on a variety of topics including literature, theater, music, social media, comics, politics, and even Christmas. Each contribution here places stress on the popular. The main reference points guiding the chapters are, in fact, the pioneering works by Antonio Gramsci and Umberto Eco. The result is, therefore, a portrait of a country where mass participation in cultural events always accompanies some form of reflection on the national identity and other related issues. Historians and sociologists, as well as musicologists and philosophers (in addition to pop culture aficionados), will find the text an engaging and indispensable read.
The first of its kind in English, Mafia and Outlaw Stories from Italian Life and Literature is a selection of readings from Italian fiction and non-fiction writers on the subject of the Mafia. Among the renowned writers featured are Giovanni Verga, Grazia Deledda, Anna Maria Ortese, Livia De Stefani, and Silvana La Spina, as well as famous witnesses such as Felicia Impastato, Letizia Battaglia, and Rita Atria who provide personal, often terrifying testimonies about their experiences with the Mafia. It is a historically diverse examination of criminal and outlaw institutions by some of the most significant figures in Italian literature. These newly translated writings show the ways in which I...
Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works—Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will ...