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In the fall of 2011, a small protest camp in downtown Manhattan exploded into a global uprising, sparked in part by the violent overreactions of the police. An unofficial record of this movement, Occupy! combines adrenalin-fueled first-hand accounts of the early days and weeks of Occupy Wall Street with contentious debates and thoughtful reflections, featuring the editors and writers of the celebrated n+1, as well as some of the world’s leading radical thinkers, such as Slavoj Žižek, Angela Davis, and Rebecca Solnit. The book conveys the intense excitement of those present at the birth of a counterculture, while providing the movement with a serious platform for debating goals, demands, and tactics. Articles address the history of the “horizontalist” structure at OWS; how to keep a live-in going when there is a giant mountain of laundry building up; how very rich the very rich have become; the messages and meaning of the “We are the 99%” tumblr website; occupations in Oakland, Boston, Atlanta, and elsewhere; what happens next; and much more.
"This volume gathers ten years of interviews with leading theatre and performance practitioners and critical reflections on plays and theatre-works in performance ... The collections features, among others, conversations with distinguished artists ... and reviews of work by Alan Bennett, Nilo Cruz, Will Eno, Sarah Kane, Bryony Lavery, Eduardo Machado, Suzan-Lori Parks and more."--Page [4] of cover.
Two plays by award-winning playwright Catherine Filloux focus on societies torn by war, and how individuals try to live with the trauma in aftermath and/or fight tyrannical power however they can. This book features an introduction by Brandeis University Professor Cynthia E. Cohen.
An illuminating study of the work of artist Martin Kippenberger, whose art expressed the enthusiasms and frustrations of the West German middle class. Martin Kippenberger: Everything Is Everywhere is the first scholarly monograph in English on West German artist Martin Kippenberger (1953–1997), one of the most prominent German artists of the 1980s. In this book, Chris Reitz shows that the condition of Kippenberger’s art was an endless, enthusiastic searching, constrained by the impossibility of fulfillment. A child during West Germany’s Wirtschaftswunder, the economic miracle of the 1950s and 1960s, and a young adult during the economic recession and political tumult of the 1970s, Kipp...
"Mid-seventeenth century Ireland experienced a revolution in landholding. Coming in the aftermath of the devastating Cromwellian conquest, this seismic shift in the social and ethnic distribution of land and power from Irish Catholic to English Protestant hands was to play a major role in shaping the history of the country."--Back cover.
THE TIP OF THE ICEBERG by Bea Cármina. Translated by Caridad Svich. A couple on the skids, a woman having a nervous breakdown, a serial killer on the prowl and a girl holding onto a mewling cat make up the darkly, comic poetically ferocious world of THE TIP OF THE ICEBERG by contemporary Mexican dramatist Bea Cármina translated by OBIE-winning playwright/translator Caridad Svich. This translation was commissioned and developed at the Lark, New York City, as part of the 2010 US/Mexico Playwright Exchange Program. It received its premiere as part of the Halcyon Theatre Alcyone 2012 festival in Chicago. This publication is a collaboration between NoPassport and the Lark.
SIX MONOLOGUES 1990-2007 by Jeff McMahon collects six of McMahon's works that span across socio-political, queer and historical frames of discourse: DISCONTENTS, SCATTER, CITY OF GOD, HEEL, HONORABLE DISCHARGE, FAILURE TO THRIVE (we small hours). Provocative, witty, daring and compassionate, these works are a testament to McMahon's singular vision. This edition is part of NoPassport Press' Dreaming the Americas Series.
EL GRITO DEL BRONX & OTHER PLAYS collects for the first time three plays and one song-poem by celebrated Nuyorican poet-playwright Migdalia Cruz. With an introduction by eminent Latino scholar Alberto Sandoval-Sanchez and afterword by theatre scholar Priscilla Page, this is an invaluable addition to the field of US Latina/o drama and all of American theatre.