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The Gospel of Matthew on the Landscape of Antiquity
The Gospel of Matthew is an oeuvre mouvante (a work in process), and the dynamics of this process are essential to its identity and function. This understanding of the Gospel of Matthew stands in distinction from the long history of research centered on Matthew the author and his design for the gospel. Focused instead on tradition history-the history of composition and transmission-Edwin K. Broadhead's approach keeps open the dialectical engagements and the conflicting voices intrinsic to the Gospel of Matthew. As a result, the consistently Jewish textures of this gospel are emphasized, there is a broader engagement with the landscape of antiquity, and serious attention is given to further developments in the history of transmission. This focus on the developing tradition thus highlights, rather than suppresses, the viability and the generative potential of such discourses.
The Law Reports
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The Law Reports
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The Law Reports
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Lineage Book
Includes inclusive "Errata for the Linage book."
Jewish-Christian Relations
"I am in fundamental agreement with Bibliowicz's thesis (that the anti-Jewish polemic in the New Testament reflects debates between Jewish and Gentile followers of Jesus - not a polemic between Christians and Jews), and with the implications which he has drawn for Christian theology... May this book find a wide readership among people devoted to the cause of the healing of memories between Jews and Christians." —Peter C. Phan, Professor. Chair of Catholic Social Thought, Georgetown University; President of the Catholic Theological Society of America ‘Standing on a brilliant and insightful reconstruction of Paul, and on a quite shocking (but perhaps compelling) reading of Mark—the autho...
Cinematic Savior
From Cecil B. DeMille's production of King of Kings in 1927, to Mel Gibson's The Passion of the Christ, films that discuss the meaning of Jesus have provoked interest, discussion, and reevaluation on a large scale. The Hollywood films that deal with this subject have consistently managed to augment their power by commenting simultaneously on political and cultural matters, and drawing from alternative cultural and mythological sources. The Greatest Story Ever Told, for instance, uses a landscape similar to that of the American West, while The Last Temptation of Christ deals with themes related to modern American notions of sexuality and sin. Humprhies-Brooks looks at the diverse content and often-surprising impact of these and other films to reveal how these depictions have helped determine, and been determined by, particularly American notions of who Jesus was, how he died, and what he means for both our religious and secular cultures.
