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This collection of essays provides a historical and contemporary context for Indigenous new media arts practice in Canada. The writers are established artists, scholars, and curators who cover thematic concepts and underlying approaches to new media from a distinctly Indigenous perspective. Through discourse and narrative analysis, the writers discuss a number of topics ranging from how Indigenous worldviews inform unique approaches to new media arts practice to their own work and specific contemporary works. Contributors include: Archer Pechawis, Jackson 2Bears, Jason Edward Lewis, Steven Foster, Candice Hopkins, and Cheryl L'Hirondelle.
In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of aca...
Celeste Garowski-Hill is a divorced philosophy professor at a small time college. When her elderly neighbor is murdered, she is entangled in a mystery and romance that leads to many adventures and changes in her life. At one point, her life is endangered. Celeste is an unconventional woman trying to cope with her conventional surroundings. She is both a sympathetic and repulsive character, alternately vulnerable and strong. Her nature puts her at the forefront of many slapstick situations which she somehow emerges from with the use of sarcasm and sheer will. She has little tolerance for people she perceives as not smart, which proves to be her downfall. Ultimately she survives with the help of her friends and her detective boyfriend. Readers will find this book both entertaining and insightful. Everyday situations are used as metaphors for the deeper meaning of life. Symbols of modern society's pros and cons are embedded throughout the book.
Indigenous and settler scholars and media artists discuss and analyze crucial questions of narrative sovereignty, cultural identity, cultural resistance, and decolonizing creative practices. Humans are narrative creatures, and since the dawn of our existence we have shared stories. Storytelling is what connects us, what helps us give shape and understanding to the world and to each other. Who tells whose stories in which particular ways leads to questions of belonging, power, relationality, community and identity. This collection explores those issues with a focus on settler-Indigenous cultural politics in the country known as Canada, looking in particular at Indigenous representation in med...
Find out where great ideas come from in this “delightful account of how inventors do what they do” (Kirkus Reviews, starred review). A father cleans up after his toddler and imagines a cup that won’t spill. An engineer watches people using walkie-talkies and has an idea. A doctor figures out how to deliver patients to the operating room before they die. By studying inventions like these—the sippy cup, the cell phone, and an ingenious hospital bed —we can learn how people imagine their way around “impossible” problems to discover groundbreaking answers. Pagan Kennedy reports on how these enduring methods can be adapted to the twenty-first century, as millions of us deploy tools ...
Our Home and Treaty Land addresses the critical need for non-Indigenous peoples to face their past with honesty in order to navigate a harmonious way forward. In this revised edition, co-authors Ray Aldred and Matthew Anderson take you on an expanded exploration of Treaty, and how it is a solution to Canada’s social, spiritual, and ecological crises. Aldred brings Cree spirituality, cosmology, and experiences of intergenerational trauma into conversation with Christian concepts of creation and repentance, mapping a path towards restorative justice. Matthew, in alternating chapters, unfolds a journey (sometimes a literal one) of unsettling awakening to untaught Canadian histories and dishon...
Looks at the movies of Native American filmmakers and explores how they have used their works to leave behind the stereotypical Native American characters of old.
Mickey Finn doesn't remember being kidnapped. Or handcuffed. In fact, Mickey Finn doesn't remember anything. But that won't stop this determined survivor. Too many people want to know the details she's lost—including ruthless saboteurs who leave a trail of dead bodies, deception, and chaos in their wake. Mickey may not know who she is, but she knows she's got to put an end to the siege. Steve Spaneas teaches self-defense and tough love in equal measure, but nothing has prepared him for Mickey Finn. She's a smart, gritty, fighter with a spine of steel—and she's about to take him along on the ride of his life. Mickey won't stop until the last bad guy is down and out—and she knows who and...
The Black Star Collection at The Image Centre: the expectations, challenges, and results of a decade of research in a key photo agency’s print collection. In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary photographs that were classified by theme in the agency’s picture library. While the move of the collection from a corporate photo agency to a public cultural institution ...
This book questions the predominance of “media abundance” as a guiding concept for contemporary mediated politics. The authors argue that media abundance is not a universal condition, and that certain individuals, communities, and even nations can more accurately be referred to as media scarce – where access to media technologies and content is limited, highly controlled, or surveilled. Through case studies that focus on guerilla militants, incarcerated Indigenous people, and cold war‐era infrastructure, including Soviet “closed” or “secret” cities and Canadian nuclear bunkers, the book’s chapters interrogate how the once media scarce later “speak” to – and can be hea...