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Blitzed!
Steve Strange was head boy of the New Romantic movement. He ran the best clubs in London: Billy's, Blitz and Camden Palace, which defined the glitzy banality of the era; places where Spandau Ballet and Boy George came to life. He was the glamourpuss of glamourpusses, the campest boy in town. He formed, with Midge Ure, Visage, which became one of the biggest bands of the time, selling millions of records and gaining tabloid notoriety. This work recounts the rise and fall of the Blitz Kid himself and recounts from the epicentre the excess of the early eighties: the clubs, the people, the music, the money, his time spent recovering in Ibiza and India, the subsequent steady decline into cocaine and heroin abuse and his rise back to sanity. Steve recounts how he lost all his possessions in a house fire and days later learned of the death of his close friend Michael Hutchence. Within a couple of years Paula Yates had also committed suicide and Strange had ended up back in South Wales, homeless, mentally unstable and facing a court order for shoplifting. Somehow he managed to pull himself back from the brink.
Strange and Stranger
Strange and Stranger: The World of Steve Ditko is an art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.
Anxiety is Really Strange
The science behind anxiety is explained in this engaging and highly original graphic medicine book, with in-depth analysis of where anxiety comes from, what it means for your body, and how to turn it into something positive. The artwork simply and humorously depicts how to alleviate anxiety and take control of its negative symptoms.
Pain is Really Strange
Understanding pain is a very good way of relieving it. This engaging, funny, and highly original research-based graphic book explains the nature of pain and how you can effectively relieve pain by changing your mind's habits.
Strange Things in the Woods
A collection of strange and terrifying tales.
My Strange World
THE WORLD IS FULL OF STRANGE AND TERRIFYING THINGS From his early years, Steve Stockton has had what can be called strange and oftentimes frightening experiences with the paranormal and unexplained. These encounters led him to search for the answers, only to discover the truth isn't easy to find. My Strange World is a collection of Steve's encounters from his personal life as well as his life as a renowned paranormal researcher. If you've listened to Steve being interviewed on radio shows and podcasts, (such as Darkness Radio with Dave Schrader, Where Did The Road Go? with Seriah Azkath, The Paranormal Podcast with Jim Harold, Into The Fray Radio with Shannon LeGro, Capricorn Radio with James Swagger, Paranormal Filler with Wes Forsythe, and many more), then you've heard Steve touch on some of his personal experiences... If you like scary stories and to take a trip down the road of the unexplained and bizarre, then buckle up and get ready to dive into the strange world of Steve Stockton.
Touch is Really Strange
Why can't we tickle ourselves? How can slow touch convey more powerful emotions than fast touch? How does touch shape our perception of the world? The latest addition to the Really Strange series, this science-based graphic comic addresses these questions and more, revealing the complexity of touch and exploring its power and limits. Used positively, touch can change pain and trauma, communicate compassion and love and generate social bonding. Get it wrong and it can be abusive and terrifying. Touch helps us feel real. Knowledge comes through our body as we engage with space and with others. Before we have language, our concepts are formed as we meet a world full of edges and textures. Touch is Really Strange celebrates the power of inward touch (interoception) and looks at how we can use skilful contact to promote feelings of joy, connection and vitality.
Sweet Dreams
David Bowie. Culture Club. Wham!. Soft Cell. Duran Duran. Sade. Adam Ant. Spandau Ballet. The Eurythmics. ' Excellent' Guardian ' Hugely enjoyable' Irish Times ' Dazzling' LRB 'Fascinating' New Statesman 'An absolute must-read' GQ One of the most creative entrepreneurial periods since the Sixties, the era of the New Romantics grew out of the remnants of post-punk and developed quickly alongside club culture, ska, electronica, and goth. The scene had a huge influence on the growth of print and broadcast media, and was arguably one of the most bohemian environments of the late twentieth century. Not only did it visually define the decade, it was the catalyst for the Second British Invasion, when the US charts would be colonised by British pop music - making it one of the most powerful cultural exports since the Beatles. In Sweet Dreams, Dylan Jones charts the rise of the New Romantics through testimony from the people who lived it. For a while, Sweet Dreams were made of this.
Strange but True
Marshal Blücher, the fearless Prussian commander who saved the day at Waterloo in 1815 told the Duke of Wellington that he was pregnant with an elephant that had been sired by a French soldier. Strange But True Military Facts is a remarkable compendium of such little-known anecdotes from military history. Divided into themed chapters that cover commanders, actions on the battlefileld, military blunders, the logistics of warfare, and the history of weaponry, the book tells the stories that are often overlooked. It also contains information boxes throughout that provide the reader with intriguing, thought-provoking and unfamiliar, but true, facts from the annals of warfare, such as the eighteenth-century machine gun that could fire square and round bullets. Quirky yet stimulating, Strange But True Military Facts is a must for all those who want to know more about the real stories behind military history and a great present for any military buff.
Strange Suspense
Before Spider-Man and Dr. Strange, the legendary comic book artist Steve Ditko was conjuring all manners of horrors at his drawing table. In his first two years in the industry (1953 and 1954), Ditko drew tales of macabre suspense that were not yet hobbled by the imminent Comics Code Authority (adopted in October 1954). These stories featured graphic bloodshed, dismemberment and blood-curdling acid baths as the ugly end to the lives of the dark and twisted inhabitants of Steve Ditko’s imagination. Strange Suspense features spectacular full-color reprints of every story from those first two years of his career.
