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Banksy's Bristol
A celebration of the witty and subversive style of graffiti artist Banksy in his home city of Bristol, England, this work is the most revealing account of Banksy's formative years and contains more than 100 images of his street art.
Compositing Visual Effects
Put the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role. Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot is. Following that you l...
Color Science and Digital Imaging
This book, written by a leading expert in the field of visual effects, demystifies the complex subject of color science and how it should be managed from project ideation to completion. Readers will not only learn how things work, their capabilities and limitations, but also the Color Science that goes along with it, in an accessible and informative manner. Starting in the Real World with an understanding of light and our human perception of it, the book then explores how digital cameras "see" the scene and digitize it. From the capture of these images, the Author then explores the fundamental concerns of storage, editing and managing color images, including with OCIO and ACES. Written for the professional Photographer, Cinematographer, visual effects, motion graphics or CG artist, Editor and Colorist, this book will provide you with knowledge of the upstream and downstream technology to your job that will not only give you a competitive advantage and help you to make better images while giving you a real-world working knowledge of Color Science.
Digital Compositing for Film and Video
First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Banksy's Bristol
This new edition of Home Sweet Home: Banksy's Bristol contains a new section of words and pictures from Banksy's astonishing Dismaland adventure in Weston-super-Mare near Bristol. Photographer Simon Ellis and author Richard Jones visited 'The UK's Most Disappointing New Visitor Attraction' on many occasions to compile the new section. The edition has been completely revised with some new writing and pictures. It includes images of all of Banksy's significant early work from his home town of Bristol, interviews with street artists who worked with him and a narrative tracing his progression from the Dry Breadz Crew to one of the most famous artists on the planet. This is the only book to contain so much of Banksy's early work and it also includes sections on Banksy's trip to Mexico with the Easton Cowboys football team to support the Zapatista freedom fighters; an illustrated section on the Banksy vs Bristol Museum show from 2009 and an interview with John Nation who founded the Bristol graffiti scene at Barton Hill Youth Club.
Digital Compositing for Film and Video
This practical, hands-on guide addresses the problems and difficult choices that professional compositors face on a daily basis. You are presented with tips, techniques, and solutions for dealing with badly shot elements, color artifacts, mismatched lighting and other commonly-faced compositing obstacles. Practical, in-depth lessons are featured for bluescreen matte extraction, despill operations, compositing operations, as well as color-correction. The book is presented entirely in an application-agnostic manner, allowing you to apply lessons learned to your compositing regardless of the software application you are using. The DVD contains before and after examples as well as exercise files for you to refine your own techniques on. New to the 3rd edition is an entirely new chapter entitled 'CGI Compositing Techniques', covering how the modern CGI production pipeline is now pushing many tasks that used to be done in the 3D department into the compositing department. All technological changes that have occurred between now and the publication of the 2nd edition are covered, as well as new media on the DVD and corresponding lessons within the book.
The 3D Handbook
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Banksy's Bristol: Home Sweet Home
The third edition of Banksy's Bristol has been fully updated to include Banksy vs Bristol Museum, Exit Through the Gift Shop, The Simpsons intro, the Tesco Value Petrol Bomb and more. Includes exclusive pictures of Banksy at work.
Digital Compositing for Film and Video
Written by senior compositor, technical director, and master trainer Steve Wright, this book condenses years of production experience into an easy-to-read and highly informative guide suitable for both working and aspiring visual effects artists. This updated edition of Digital Compositing for Film and Video addresses the problems and difficult choices that professional compositors face daily with an elegant blend of theory, practical production techniques, and workflows. It is written to be software-agnostic, so it applies to any brand of software. It features many step-by-step workflows, powerful new keying techniques, and updates on the latest tech in the visual effects industry with all-new content on artificial intelligence (AI) for visual effects (VFX), Universal Scene Description (USD), Virtual Production, and Cryptomattes. A companion website offers images from the examples discussed in the book allowing readers to experiment with the material first-hand. This edition also adds Nuke workflows to the companion website for the first time.
Art of the Cut
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There ...
