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Challenges the myth of globalization's homogenizing power, arguing that the uniqueness of place is becoming more, notless important. Documents how multinational firms secure worker control and consent by reaching beyond the high-tech factory and into local labour markets. Traces also the rise of a new breed of privatized export processing zones, revealing the state's, in these cases, the Philippines', revamped role in the wider politics of global production.
Choral Societies and Nationalism in Europe is a pioneering exploration of the role of singing societies in nineteenth-century nation-building. The wide-ranging essays in this volume address both the national and transnational implications of organized communal singing.
Noncitizens have always been present in liberal political philosophy. Often hard to situate within traditional frameworks that prioritise citizenship, noncitizens can appear voiceless and rightsless, which has implications for efforts towards global justice and justice in migration. This book proposes an alternative. Noncitizenism identifies an analytical category of noncitizenship. While maintaining the importance of citizenship, noncitizenship is another form of special individual-State relationship. It operates far from a State, at its borders, and within its territory, providing a tool for examining the continuity between sites of engagement and the literatures, questions, and conclusions relating to them. The book argues that an accurate liberal theoretical framework, and one which can address contemporary challenges, must acknowledge the political relationship of noncitizenship between individuals and States. This book is for students and scholars of political philosophy and for those interested in noncitizenship and how it can inform the response of liberal theory, citizenship, global justice, migration studies, political theory and policy work.
Given the explosion in recent years of scholarship exploring the ways in which disability is manifested and performed in numerous cultural spaces, it’s surprising that until now there has never been a single monograph study covering the important intersection of popular music and disability. George McKay’s Shakin’ All Over is a cross-disciplinary examination of the ways in which popular music performers have addressed disability: in their songs, in their live performances, and in various media presentations. By looking closely into the work of artists such as Johnny Rotten, Neil Young, Johnnie Ray, Ian Dury, Teddy Pendergrass, Curtis Mayfield, and Joni Mitchell, McKay investigates such questions as how popular music works to obscure and accommodate the presence of people with disabilities in its cultural practice. He also examines how popular musicians have articulated the experiences of disability (or sought to pass), or have used their cultural arena for disability advocacy purposes.