Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Steven Leiber
Beloved by collectors and scholars alike, Leiber's beautiful bookseller catalogs shaped the canon of publications. The pioneering San Francisco art dealer, collector, and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements, produced a series of 52 iconic catalogs between 1992 and 2010.
Gerson Leiber
None
A Succulent Dilemma
Folder contains also e-mail correspondence with the author.
Steven Shearer
None
Shifting Places
This book provides, for the first time, a profound insight into Peter Downsbrough's diverse and complex use of photography within his artistic work over the last 40 years.
Seen in the Mirror: Things from the Cartin Collection
An exciting, unexpected, and beautiful encounter with one collector’s deeply personal assemblage of works Since the 1980s, Mickey Cartin has assembled a remarkable collection of objects and art—Renaissance and modernist paintings, master prints, sculptures, illuminated manuscripts, and more. Exploring the theory behind collecting art and how Cartin’s approach to collecting diverges from common practices, this publication offers a unique perspective on an intimate practice. Unconcerned with hewing to specific categories, time periods, or media, Cartin’s collection—which includes the likes of Josef Albers, Sol Lewitt, and Forrest Bess—creates active combinations and disrupts homoge...
The Jean Freeman Gallery Does Not Exist
An examination of a 1970s Conceptual art project—advertisements for fictional shows by fictional artists in a fictional gallery—that hoodwinked the New York art world. From the summer of 1970 to March 1971, advertisements appeared in four leading art magazines—Artforum, Art in America, Arts Magazine, and ARTnews—for a group show and six solo exhibitions at the Jean Freeman Gallery at 26 West Fifty-Seventh Street, in the heart of Manhattan's gallery district. As gallery goers soon discovered, this address did not exist—the street numbers went from 16 to 20 to 24 to 28—and neither did the art supposedly exhibited there. The ads were promoting fictional shows by fictional artists in...
