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Steven Leiber
Beloved by collectors and scholars alike, Leiber's beautiful bookseller catalogs shaped the canon of publications. The pioneering San Francisco art dealer, collector, and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements, produced a series of 52 iconic catalogs between 1992 and 2010.
A Succulent Dilemma
Folder contains also e-mail correspondence with the author.
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Extra Art
A catalogue from the travelling exhibition of the same name - the most comprehensive overview of artists' produced ephemera - invitations, posters, postcards, flyers, stickers, buttons, business cards, etc. - ever compiled. "...Taking on a neglected, inadequately documented, and utterly crucial terrain of recent art history, Steven Leiber has assembled ephemera works by approximately 190 artists from around the globe and in the process he makes a persuasive case for the uniquely innovative potentials of this type of art..." -- Ralph Rugoff, Director CCAC Institute, California College of Arts and Crafts Extinsively illustrated in both color and black and white. Essays by Anne Moeglin-Delcroix, Steven Leiber, Todd Alden and Ted Purves. Exhibition curated by Steven Leiber.
Archiving Advanced Art
Collaging Information: The Artist, the Librarian, the Artist/Librarian Several years after becoming a professional librarian in 1972, I became involved in Mail Art. This international network of cooperating artists has expanded my vision of both the world and the profession. Over the years, I have taken it upon myself to document various aspects of Mail Art, which would have remained unexamined without the involvement of someone both actively participating in the medium and in possession of professional research skills. In so doing, I have been able to integrate two important facets of my life.
State of Mind
State of Mind, the lavishly illustrated companion book to the exhibition of the same name, investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists. The essays reveal connections between the northern and southern California Conceptual art scenes and argue that Conceptualism’s experimental practices and an array of then-new media—performance, site-specific installations, film and video, mail art, and artists’ publications—continue to exert an enormous influence on the artists working today.
