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Wagner Remembered
"Here is a life of Wagner told by those who rubbed shoulders with him in the course of his turbulent and turpitudinous three score years and ten. Few composers have led such eventful lives or excited such violent views. No one could be indifferent to Wagner, and his contemporaries were not slow to record their impressions of a man they either idolized or demonized. This is the story of how they remembered Wagner and how they wanted posterity to remember him. But it is also the story of his life told with immediacy, wit, affection and awe, all qualities that have largely been lost from later accounts of Wagner."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Wagner in Performance
This book, addressed to both specialists and the opera-going public, brings together a team of acknowledged authorities from round the world to examine the performance history and reception of Wagner's works in Europe and America. A connected sequence of essays on conducting, singing, production and stage design explores the nature of Wagner's demands on his interpreters. The book raises questions about the realization of opera on the stage: about the authority of the composer vis-a-vis the director and the audience: about the sanctity of the text, score and stage directions; and about the role of art itself in society.
Lusitania
On 7 May 1915, the Lusitania, a large British luxury liner, was sunk by a German submarine off the Irish coast. Nearly 1,200 people, including 128 American citizens, lost their lives. The sinking of a civilian passenger vessel without warning was a scandal of international scale and helped precipitate the United States' decision to enter the conflict. It also led to the immediate vilification of Germany. Thougfh the ship's sinking has preoccupied historians and the general public for over a century, the German side of the story has remained largely untold until now. ... Willi Jasper provides provides a comprehenaive reappraisal of the sinking and its aftermath, focusing on the German reaction and psyche. The attack on the Lusitania, he argues was not simply an escalation of violence but the signalling of a new ideological, moral and religious dimension in the strugglebetween Geran 'Kultur' and Western civilization."--Jacket.
Wagner and the Art of the Theatre
Chapitre 6, p. 175-207, consacré à Adolphe Appia.
W.A. Mozart
Hermann Abert's classic biography, first published in German more than eighty years ago and itself based on the definitive mid-nineteenth century study by Otto Jahn, remains the most informed and substantial biography of Mozart in any language. The book is both the fullest account of the composer’s life and a deeply skilled analysis of his music. Proceeding chronologically from 1756 to 1791, the book interrogates every aspect of Mozart’s life, influences, and experience; his personality; his religious and secular dimensions; and the social context of the time. In "a book within a book,” Abert also provides close scrutiny of the music, including the operas, orchestral work, symphonies a...
Metaphors in Counselor Education and Supervision
Metaphors in Counselor Education and Supervision provides counselor educators and supervisors with creative applications of metaphors to help students and supervisees who struggle with abstract clinical concepts or foundational clinical skills. This teaching and supervision guide provides a variety of metaphors to clarify different areas of counselor education and supervision, including but not limited to case conceptualization, self-care, the counseling process, countertransference, suicide assessments, and advocacy. Each metaphor is accompanied by ethical and cultural considerations, group supervision modifications, and alternative uses to help emphasize diversity and ethics. This book will prepare supervisees and students with unique methods for teaching and understanding counseling concepts and skills and supply professional counselors with creative and different perspectives to use in practice.
Wagner’s Parsifal
Parsifal, Wagner's final opera, is considered by many to be one of the greatest religious musical works ever composed; but it is also one of the most difficult to understand and many have questioned whether it can be considered a "Christian" work at all. Added to this is the furious debate that has surrounded the composer as an anti-Semite, racist, and inspiration for Hitler. Richard Bell addresses such issues and argues that despite any personal failings Wagner makes a fundamental theological contribution through his many writings and ultimately in Parsifal which, he argues, preaches Christ crucified in a way that can never be captured by words alone. He argues that Wagner offers a vision of the divine and a "theology of Good Friday" that can both function as profound therapy and address current theological controversies.
Hearings
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Richard Wagner
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The Official Indoor and Arena Football Trading Card Guide
I had too many secrets. I wanted out of this closet. People all over the world were coming out. We could see them on national TV and books had been written. What was so difficult about it? I had to be free to talk with my grandchildren about it. I didn't want them to ever experience anything like this. There were more doors to open and bricks that needed to be blasted. What if my grandchildren changed their opinions of me when the truth was told? I couldn't hide anymore, my hands needed to be free. I had lived a half of a century and the one person who knew the truth had already forgiven me. Now, it was my time to do the same.
