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Writing Short Stories
Writing Short Stories: A Writers' and Artists' Companion is an essential guide to writing short fiction successfully. PART 1 explores the nature and history of the form, personal reflections by the editors, and help getting started with ideas, planning and research. PART 2 includes tips by leading short story writers, including: Alison Moore, Jane Rogers, Edith Pearlman, David Vann, Anthony Doerr, Vanessa Gebbie, Alexander MacLeod, Adam Thorpe and Elspeth Sandys. PART 3 contains practical advice - from shaping plots and exploring your characters to beating writers' block, rewriting and publishing your stories.
Write Short Stories A Creative Writer's Helper
This Flash Fiction Writing guide is perfect for those who love to write stories and need a helpful guide to get their creative ideas flowing. Jot down ideas for your novel, short story, children's book, teen novel. Encourage young writer's to get started on their creative writing and use this guide to make your next fictional masterpiece!
Short Story Writing
Advice on writing and selling short stories. All the techniques such as dialogue, characterization, scene, pace, atmosphere and many others are covered in the central section on practical skills, while the commercial aspect is dealt with in a piece dedicated to selling one's stories. There is also a market study. Dilys Gater, author of hundreds of short stories (and many novels), believes in starting not with the story but with the writer to produce the most effective approach to success in this highly competitive field.
The Novel Writer's Toolshed for Short Story Writers
The second book in the toolshed series and originally written as a series for Writers' Forum Magazine, this snappy no nonsense guide has been expanded, amended and updated. Using examples from her own published work, Della Galton explains how to make the leap from writing short stories to writing a full length novel. Subjects covered include: How do you know if you have a big enough idea? How exactly does a short story character differ from a character in a novel? Will your plot go the distance? What should be on your first page? Della Galton is a working writer and agony aunt for Writers' Forum. She has had three novels and over 1000 short stories published.
American Writers
"American Writers focuses on the rich diversity of American novelists
Writers and Age
Since 1900, the average life expectancy in the developed world has almost doubled, from 45 to 80. "We are almost a new species," declared the English writer V.S. Pritchett, while pointing out that this means "most of us have to face the prospect of a long old age before we die." Pritchett is one of five great writers--along with Stanley Kunitz, Doris Lessing, Mavis Gallant and Russell Baker--whose novels, short stories, poems and essays about old age, written in old age, are examined in this book. Born between 1900 (Pritchett) and 1925 (Baker), these writers are members of the first generation of the 20th century, and of the first generation of writers able to write about old age from experience. In their later works we read about growing old as reported by the old, not as imagined by the young and middle-aged. They wrote about old age not as a discrete stage of life, but as a continuation--another context in which to pursue the themes of their earlier poems, novels, stories and essays. And those who had written about love--a central theme of fiction and poetry--now wrote about love in old age.
Story Genius
Following on the heels of Lisa Cron's breakout first book, Wired for Story, this writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story. It’s every novelist’s greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot). Story coach Lisa Cron has spent her career discovering why these methods don’t work and coming up with a powerful alternative, based on the science behind what our brains are wired to crave in every story we read (and it’s not what you think). In Story Genius Cron takes you, step-by-step, through the creation of a novel from the first glimmer of an idea, to a complete multilayered blueprint—including fully realized scenes—that evolves into a first draft with the authority, richness, and command of a riveting sixth or seventh draft.
Break Into Fiction®: 11 Steps To Building A Powerful Story
Getting a book published is hard enough, but what about building a loyal reader base? It’s been said that nothing sells a book – to an editor or a reader – faster than a great story. Whether you’re a plotter or a pantser (write by the seat of your pants), Break Into Fiction® is the book that will help you find the weak spots (sagging middles, unlikeable characters, slow pacing and more) in your fiction stories. Editing is key to any story, but it starts with the author. Writing fast means nothing if the final story isn’t sound. But the sooner you grasp the power points for a story, the faster you’ll be able to build a strong backlist. Now you have a way to improve your writing o...
The Writer
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How to Write A Short Story (And Think About It)
Short story publishing is flourishing in the 21st century and is no longer seen as a poor relation of the novel. But what is a short story? And how do you write one? Robert Graham takes you through everything you need to know, from how a writer works to crafting and editing your own fiction. This heavily revised edition features new chapters by contemporary fiction writers. Stressing the importance of reading broadly and deeply, the book includes a wide range of prompts and writing exercises. It teaches you how to read as a writer and write like somebody who has read. You will learn the elements of craft you need to produce short stories, and one of the key writer's disciplines: reflecting on your own work. Whether you are a student or an experienced author, this book will teach you how to write short stories – and reflect on the creative processes involved. The book features chapters from writer-teachers James Friel, Rodge Glass, Ursula Hurley, Heather Leach, Helen Newall, Jenny Newman, James Rice and Tom Vowler.
