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This groundbreaking work examines four avant-garde groups that emerged in Poland towards the end of World War I; the Poznan Expressionists, the Young Yiddish, the Formists, and the Futurists. It is the first extensive study to bring the four groups together, and in doing so it establishes interconnections between them, and discusses their work in light of socio-political and cultural currents in Poland and wider Europe in the interwar period.
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A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nine...
This volume offers the first comprehensive analysis of wills in late medieval Krakow. It presents the origins of testamentary acts in the Kingdom of Poland and its centre, Krakow, and their subsequent transformation from so called ‘canonical wills’ to ‘communal wills’. Wysmułek discusses the socio-cultural role of wills and sets them in their contemporary legal, social, and economic context. In doing so, he uncovers their influence on property ownership and family relations in the city, as well as on the religious practices of the burghers. Ultimately, this work seeks to change the perception of wills by treating the testamentary act itself as an important agent of historical social change – a ‘tool of power’.
Looking at monuments, murals, computer games, recycling campaigns, children's books, and other visual artifacts, The Oxford Handbook of Communist Visual Cultures reassesses communism's historical and cultural legacy.
The volume explores the stone carved shrines for the scrolls of the Mosaic Law from the mid-sixteenth to the mid-seventeenth century synagogues in the former Polish Kingdom. Created on the margin of mainstream art and at a crossroad of diverse cultures, artistic traditions, aesthetic attitudes and languages, these indoor architectural structures have hitherto not been the subject of a monographic study. Revisiting and integrating multiple sources, the author re-evaluates the relationship of the Jewish culture in Renaissance Poland with the medieval Jewish heritage, sepulchral art of the Polish court and nobles, and earlier adaptations of the Christian revival of classical antiquity by Italian Jews. The book uncovers the evolution of artistic patronage, aesthetics, expressions of identities, and emerging visions among a religious minority on the cusp of the modern age.
An innovative examination of how material practices and constructed environments have shaped cultures.
This book represents the outcome of the “Conference on Church Archaeology in the Baltic Sea Region” held in August 2013 in Turku, Finland, which, in turn, had its roots in the long tradition of Scandinavian Symposia for Nordic Church Archaeology, started in 1981 in Denmark. During the past few decades, the scope of church archaeology has expanded immensely and can presently be described as a multifaceted field of research. This book represents a convincing testament to this development. Every chapter gives a distinctive perspective on the theme of sacred monuments and practices written by leading experts in this field. As such, this volume offers unique insights into the study of religious life and its material aspects in the Baltic Sea Region, made available for English-readers for the first time.
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