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The book consists of two main parts: a) Structure and Contents, b) Catalogues in Context: In the first part the major subject is how a catalogue is organized internally. A number of structural patterns formed since Homer on the basis of the position the names held within the catalogue (density in the middle - spacing in the middle -ascending /descending mode - internal balance - erratic pattern) were to continue down to the period of Lucretius, Virgil and Ovid. Each pattern carries its own dynamism in the text and has its particular effects in the reading process. Especially when the poetic work evolves in time, the fluctuation of the density in names per verse entails a corresponding fluctu...
Modern Greek national and cultural identities consist, to a considerable extent, of clusters of cultural memory, shaped by an ongoing dialogue with the classical past. Within this dialogue between modern Greece and classical antiquity, Greek tragedy takes pride of place. In this volume, ten scholars from Cyprus, Greece, the United Kingdom and the United States explore the various ways in which Greek tragedy and tragic myth have been reimagined and rewritten in modern Greek drama and poetry. The book’s extensive coverage includes major modern Greek authors, such as Cavafy, Seferis, and Ritsos, as well as less well-known, but equally rich and rewarding, 20th- and 21st-century texts.
Orality was the backbone of ancient Greek culture throughout its different periods. This volume will serve to deepen the reader’s knowledge of how Greek texts circulated during the Roman Empire. The studies included here approach the subject from both a literary and a sociocultural point of view, illuminating the interconnections between literary and social practices. Topics considered include epigraphy, the rhetoric of transmitting the texts, language and speech, performance, theatre, narrative representation, material culture, and the interaction of different cultures. Since orality is a widespread phenomenon in the Greek-speaking world of the Roman Empire, this book draws the reader’s attention to under-researched texts and inscriptions.
PIERIDES IV This volume examines interpretation as the original process of critical reception vis-a-vis Terence’s experimental comedies. The book, which consists of two parts, looks at Terence as both an agent and a subject of interpretation. The First Part (‘Terence as Interpreter’) examines Terence as an interpreter of earlier literary traditions, both Greek and Roman. The Second Part (‘Interpretations of Terence’) identifies and explores different expressions of the critical reception of Terence’s output. The papers in both sections illustrate the various expressions of originality and individual creative genius that the process of interpretation entails. The volume at hand is the first study to focus not only on the interpreter, but also on the continuity and evolution of the principles of interpretation. In this way, it directs the focus from Terence’s work to the meaning of Terence’s work in relation to his predecessors (the past literary tradition), his contemporaries (his literary antagonists, but also his audience), and posterity (his critical readers across the centuries).
PIERIDES III, Editors: Myrto Garani and David Konstan Despite the Romans' reputation for being disdainful of abstract speculation, Latin poetry from its very beginning was deeply permeated by Greek philosophy. Philosophical elements and commonplaces have been identified and appreciated in a wide range of writers, but the extent of the Greek philosophical influence, and in particular the impact of Pythagorean, Empedoclean, Epicurean and Stoic doctrines, on Latin verse has never been fully in...
This volume presents essays written in honour of Robert Maltby, Emeritus Professor of Latin at the University of Leeds. It offers a rich collection of modern scholarship covering a wide range of literary genres in Latin literature, spanning from Augustan times up to the Italian Renaissance. The value of this volume lies in its inclusion of new interpretations of well-discussed texts from the past, shedding light on texts that have recently garnered scholarly attention and sparked lively discussions. Fifteen essays reflect the main areas of scholarship and interests of the honoree in a variety of Roman literary genres, with special focus on the Corpus Tibullianum, but also on etymologising and textual criticism. The collection is not exclusively intended for classicists, historical linguists, and textual critics. By providing insightful discussions and fresh interpretations of themes and issues in Latin literature from a contemporary perspective, it also appeals to anyone interested in Mediterranean studies, the socio-cultural aspects of literature, and comparative literature.
Alexandrianism was among the trends that defined the formation of Roman literature across genres since the early decades of Roman literary history. This volume introduces a collection of original essays that contribute to a developing appreciation of the comedy of Plautus, the leading representative of Roman comedy, as a multi-faceted text that engages in a creative dialogue with various contemporary cultural and literary developments. The studies here, both individually and as parts of a longer, interactive discussion, offer a comprehensive examination of the first complete expression of the intellectual reception of Greek and Hellenistic literature and culture in Rome, and, at the same tim...
Lists and catalogues have been en vogue in philosophy, cultural, media and literary studies for more than a decade. These explorations of enumerative modes, however, have not yet had the impact on classical scholarship that they deserve. While they routinely take (a limited set of) ancient models as their starting point, there is no comparably comprehensive study that focuses on antiquity; conversely, studies on lists and catalogues in Classics remain largely limited to individual texts, and – with some notable exceptions – offer little in terms of explicit theorising. The present volume is an attempt to close this gap and foster the dialogue between the recent theoretical re-appraisal o...
A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion t...