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It seems an impossible dream at first for Sue and Aubrey. She is a horse-mad girl strongly attracted to the idea of farming, Aubrey is the son of a farm manager without land or money.But with limited knowledge, much enthusiasm and the challenge of raising their young family, anything can happen.This is the true story of a shepherding life; where icy nights are spent searching for lost sheep, the lambing sheds are filled with the first cries of newborns, and idyllic summers are spent in the show ring.Amusing, poignant and beautifully detailed, this is a book about how dreams can grow from small beginnings into breeding prize-winning Texel sheep in the Cotswolds.
From #1 bestselling author V.C. Andrews (Flowers in the Attic, My Sweet Audrina) the first book in the captivating Cutler series—soon to be a Lifetime limited series! In her fine new Virginia school, Dawn Longchamp feels happy and safe. But nothing is what it seems... Now Dawn and her older brother Jimmy have a chance for a decent, respectable life, and Dawn’s secret, precious hope to study singing can come true. Philip Cutler, the handsomest boy in school, sets Dawn’s heart on fire. She is deeply devoted to her brooding brother; but with Philip, she imagines a lovely dream of romance... Then Dawn’s mother suddenly dies, and her entire world begins to crumble. After a terrible new shock, she is thrust into a different family and an evil web of unspoken sins. Her sweet innocence lost, humiliated and scorned, Dawn is desperate to find Jimmy again and...strip away the wicked lies that will change all their lives forever.
The development discourse has long been dominated by best practices prescriptions for reform, but these are not a useful way of responding to the governance ambiguities of the early 21st century. Working with the Grain draws on both innovative scholarship and Brian Levy's quarter century of experience at the World Bank to lay out an alternative-a practical, analytically grounded, "with-the-grain" approach to reducing poverty and addressing weaknesses in governance. Best practice prescriptions confuse the goals of development with the journey of getting from here to there. A strong rule of law, capable and accountable governments, and a flexible, level playing field business environment are i...
This book relocates the long life and literary career of the poet, playwright, novelist, philanthropist and teacher Hannah More (1745-1833) in the wider social and cultural contexts that shaped her, and which she helped shape in turn. One of the most influential writers and campaigners of the late eighteenth and early nineteenth centuries, More’s reputation has suffered unfairly from accusations of paternalism and provincialism, and misunderstandings of her sincerely-held but now increasingly unfamiliar evangelical beliefs. Now, in this book, readers can explore a range of essays rooted in up-to-the-minute research which examines newly-recovered archival materials and other evidence in order to present the fullest picture yet of this complex and compelling author, and the era she helped mould with her words.
At the cutting edge of new social and demographic history, this book provides a detailed picture of the most comprehensive system of poor relief operated by any Elizabethan town. Well before the Poor Laws of 1598 and 1601, Hadleigh, Suffolk—a thriving woolen cloth center with a population of roughly 3,000—offered a complex array of assistance to many of its residents who could not provide for themselves: orphaned children, married couples with more offspring than they could support or supervise, widows, people with physical or mental disabilities, some of the unemployed, and the elderly. Hadleigh's leaders also attempted to curb idleness and vagrancy and to prevent poor people who might later need relief from settling in the town. Based upon uniquely full records, this study traces 600 people who received help and explores the social, religious, and economic considerations that made more prosperous people willing to run and pay for this system. Relevant to contemporary debates over assistance to the poor, the book provides a compelling picture of a network of care and control that resulted in the integration of public and private forms of aid.
Planning for Urban Country addresses a major gap in knowledge about the translation of Aboriginal values and Country Plans into Australia’s built environment contexts. How do you ‘heal’ Country if it has been devastated by concrete and bitumen, excavations and bulldozing, weeds and introduced plants and animals, and surface, aerial and underground contaminants? How then do Aboriginal values and Country Plan aspirations address urban environments? In this book, David Jones explores the major First Nations-informed design and planning transformations in Djilang / Greater Geelong since 2020. Included are short-interlinked essays about the political and cultural context, profiles of key exemplar architectural, landscape and corridor projects, a deep explanation of the legislative, policy and statutory precedents, opportunities and environment that has enabled these opportunities, and the how Wadawurrung past-present-future values have been scaffolded into these changes.
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Tomorrow morning, you and Frank Armitage are getting wed. In my opinion, marriage is blind optimism at any time, but especially in wartime. It's an act of faith. Taking its title from a line in Philip Larkin's poem 'MCMXIV', An August Bank Holiday Lark explores the impact of the First World War on a rural community in East Lancashire. Set in the idyllic summer of 1914 rural Lancashire, everyone in the community is excited about Wakes week; a rest from field and mill and a celebration of the Rushbearing Festival with singing, courting, drinking and dancing. The looming war barely registers . . . but it will. Through the lens of traditional rural life, the play follows the stories of the people of the village and witnesses their personal transitions from exuberance to touching naivety as they manage their loss with courage and humanity. An August Bank Holiday Lark received its world premiere on 7 February 2014, in a touring production by Northern Broadsides and New Vic Theatre.