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Women in Ancient Greece
Largely excluded from any public role, the women of ancient Greece nonetheless appear in various guises in the art and writing of the period, and in legal documents. These representations, in Sue Blundell's analysis, reveal a great deal about women's day-to-day experience as well as their legal and economic position - and how they were regarded by men.
Dress in Mediterranean Antiquity
Insights from anthropology, religious studies, biblical studies, sociology, classics, and Jewish studies are here combined to provide a cutting-edge guide to dress and religion in the Greco-Roman World and the Mediterranean basin. Clothing, jewellery, cosmetics, and hairstyles are among the many aspects examined to show the variety of functions of dress in communication and in both establishing and defending identity. The volume begins by reviewing how scholars in the fields of classics, anthropology, religious studies, and sociology examine dress. The second section then looks at materials, including depictions of clothing in sculpture and in Egyptian mummy portraits. The third (and largest...
The Sacred and the Feminine in Ancient Greece
In classical Greece women were almost entirely excluded from public life. Yet the feminine was accorded a central place in religious thought and ritual.This volume explores the often paradoxical centrality of the feminine in Greek culture, showing how out of sight was not out of mind. The contributors adopt perspectives from a wide range of disciplines, such as archaeology, art history, psychology and anthropology, in order to investigate various aspects of religion and cult. They include the part played by women in death ritual, the role of heroines, and the fact that goddesses had no childhood, at the same time posing questions about how we know what rituals meant to their participants. The Sacred and the Feminine in Ancient Greece is a lively and colourful exploration of the ways in which religion and ritual reveal women's importance in the Greek polis, showing how ideologies about female roles and behaviour were both endorsed and challenged in the realm of the sacred.
The Origins of Civilization in Greek and Roman Thought (Routledge Revivals)
It has been much disputed to what extent thinkers in Greek and Roman antiquity adhered to ideas of evolution and progress in human affairs. Did they lack any conception of process in time, or did they anticipate Darwinian and Lamarckian hypotheses? The Origins of Civilization in Greek and Roman Thought, first published in1986, comprehensively examines this issue. Beginning with creation myths – Mother Earth and Pandora, the anti-progressive ideas of the Golden Age, and the cyclical theories of Orphism – Professor Blundell goes on to explore the origins of scientific speculation among the Pre-Socratics, its development into the teleological science of Aristotle, and the advent of the progressivist views of the Stoics. Attention is also given to the ‘primitivist’ debate, involving ideas about the noble savage and reflections of such speculation in poetry, and finally the relationship between nature and culture in ancient thought is investigated.
Serial Killers: The World's Most Evil
One hundred years of the most depraved criminal minds—from H. H. Holmes and Ted Bundy to John Wayne Gacy, Ian Brady, and Myra Hindley. Their monikers have become part of the true crime lexicon: among them, the Moors Murders; the Hillside Strangler; Killer Clown; Son of Sam; the Love Slave Killers; the Scorecard Killer; and the BTK Strangler. On a scale of evil, they are the world’s worst serial murderers with a propensity for sadism and torture that is beyond the pale. What turned seemingly ordinary members of society into sick slayers? How did they justify their heinous deeds? And how did they get away with murder? For answers, true crime journalist Nigel Blundell looks behind the headl...
Women's Dress in the Ancient Greek World
The clothing and ornament of Greek women signalled much about the status and the morality assigned to them. Yet this revealing aspect of women's history has been little studied. In this collection of new studies by an international team, ancient visual evidence from vase-painting and sculpture is used extensively alongside Greek literature to reconstruct how women of the Greek world were perceived, and also, in important ways, how they lived.
Shoes, Slippers, and Sandals
This edited volume groups research on the significance of ancient feet and footwear, much of which was presented, discussed and reviewed at the conference: Shoes, Slippers and Sandals: Feet and Footwear in Antiquity, held at Newcastle University and the Great North Museum from 29 June–1 July 2015. Ancient dress and adornment have received significant consideration in recent scholarship, though, strikingly, feet and footwear have featured relatively little in this discussion. This volume aims to rectify this imbalance through its fifteen chapters covering a wide range of aspects associated with feet and footwear in classical antiquity. Contributions are grouped under four headings: ‘Envisaging footwear’, ‘Following footprints’, ‘One from a pair’ and ‘Between representation and reality’, reflecting the broad range and interdisciplinary nature of the approaches undertaken.
A Companion to Greek Art
A comprehensive, authoritative account of the development Greek Art through the 1st millennium BC. An invaluable resource for scholars dealing with the art, material culture and history of the post-classical world Includes voices from such diverse fields as art history, classical studies, and archaeology and offers a diversity of views to the topic Features an innovative group of chapters dealing with the reception of Greek art from the Middle Ages to the present Includes chapters on Chronology and Topography, as well as Workshops and Technology Includes four major sections: Forms, Times and Places; Contacts and Colonies; Images and Meanings; Greek Art: Ancient to Antique
Architecture and Meaning on the Athenian Acropolis
Examines the several buildings making up the Acropolis as a group, or narrative.
Myth, Ethos, and Actuality
Using material remains, as well as the evidence of contemporary Greek history, rhetoric, and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past. Castriota focuses on the strategy of ethical antithesis that asserted Greek moral superiority over the "barbaric" Persians, whose invasion had been repelled a generation earlier. He examines how, in major public programs of painting and sculpture, the leading artists of the period recast the Persians in the guise of wild and impious mythic antagonists to associate them with the ethical flaws or weaknesses commonly ascribed to women, animals,...
