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The Novels of Mulk Raj Anand
Mulk Raj Anand Is One Of The Best Known Novelists In English In India. Translated Into Many Languages In India As Well As Abroad, He Has Been Universally Acclaimed As A Progressive Writer.The Present Anthology Of Recent Critical Essays Probes Into His Internationally Reputed Novels Like Untouchable, Coolie, Gauri As Well As His Various Collections Of Short Stories. The Critical Perspective Is Fresh And Innovative, Embracing The Latest Critical Theories And Schools. The Essays Come Up With Novel Insights Into Themes And Characters, Form And Design In The Texts Explored.The Structural And Rhetorical Devices Employed In The Texts Have Also Been Analysed Threadbare. A Detailed Interview With Anand Facilitates A Peep Into The Writer S Workshop, Revealing Hitherto Unexplored Facets Of Anand S Artistic Persona.A Welcome Addition To Fiction Studies. An Indispensable Collection Of Articles For Students, Teachers And Researchers In Literary Theory, Fiction, Indian English Literature, Sociology Of Literature And Progressivism.
Indian English Literature
Contributed artices; covers the period 20th century.
The Poetry of A.K. Ramanujan
A.K. Ramanujan Represents The Quintessential Indian English Poet Engaged In A Relentless Quest For Self In The Welter Of Tradition And Contemporary Reality As Well As That For A Well-Adapted Poetic Idiom. His Poetry Refracts The Essential Indian Sensibility Fused Artistically With The Temper Of Modernity. Ramanujan Emerges Out Of His Artistic Predicament To A State Of Creative Freedom By Means Of Cultivating A Uniquely Personal Idiom. It Is Within This Thematic And Linguistic Framework That Ramanujan S Poetry Projects A Self Assuming A Number Of Identities In Time, Rendering The Quality Of Transparence.Applying Closely Textual, Formal, Socio-Cultural, Philosophic, Imagistic And Post-Colonial...
Contemporary Indian English Literature
Contemporary Indian English Literature focuses on the recent history of Indian literature in English since the publication of Salman Rushdie's novel Midnight's Children (1981), a watershed moment for Indian writing in English in the global literary landscape. The chapters in this volume consider a wide range of poets, novelists, short fiction writers and dramatists who have notably contributed to the proliferation of Indian literature in English from the late 20th century to the present. The volume provides an introduction to current developments in Indian English literature and explains general ideas, as well as the specific features and styles of selected writers from this wide spectrum. It addresses students working in this field at university level, and includes thorough reading lists and study questions to encourage students to read, reflect on and write about Indian English literature critically.
Shiv K. Kumar as a Post-colonial Poet
Shiv K. Kumar As A Post-Colonial Poet Is An Incisive And Well Researched Book. It Makes An Indepth Study Of The Entire Corpus Of Shiv K. Kumar S Poetry From All Angles Themes, Images, Idioms, Post-Coloniality And Technical Accomplishments. The Concluding Chapter Lays Emphasis On Kumar S Contribution To Post-Colonial Indian English Poetry. This Is An Invaluable Book On Kumar S Poetry, Meant Both For The Common Readers And Specialists In The Field.
Studies in Postcolonial Literature
Studies In Postcolonial Literature Contains Twenty-Three Papers And Two Interviews With Two Eminent Writers On Different Genres Poetry, Fiction, Short Fiction And Drama Of Postcolonial Literature. It Deals With Literatures In English Outside The Anglo-American Tradition. The Book Focuses On How Postcolonial Literature Assumes An Identity Of Its Own In Spite Of The Writers Drawn From Different Countries With Distinct National Identities. This Is A Very Useful Book For The Students As Well As The Teachers Who Intend To Do An Extensive Study Of Postcolonial Literature.
Studies in Indian Writing in English
The Papers Collected In This Anthology Represent A Wide Spectrum Of Critical Interests Of Scholars Specialising In Indian Fiction In English Which Has Of Late Established A Powerful And Pervasive Presence On The World Literary Scene.The Widely Divergent Themes Of The Third Generation Indian Novelists Including Especially Immigrant Experience, Feminist Concerns And Gender Issues, Familial, Social, Psychological And Philosophical Problems Characterising Contemporary Indian Life And The Major Debates Centred Round Indian Fiction In English, Besides The Innovative Techniques, Have All Been Discussed In This Volume From Refreshingly New Perspectives.Among The Contributors To This Volume Are Some Of The Most Respected Scholars: John Thieme (England), Sandra Ponzanesi (Netherlands), Shaul Bassi (Italy), Basavaraj Naikar (India), Uma Parameswaran (Canada), Mary Conde (England), Christopher Rollason (France), Chandra Holm (Switzerland), Joel Kuortti (Finland) And Alessandra Contenti (Italy). Among The Novelists Discussed Are: Salman Rushdie, Shashi Deshpande, Bharati Mukherjee, Vikram Seth, Amitav Ghosh And Arundhati Roy.
Mission Underway
The history of the study of popular culture in American academic since its (re)introduction in 1967 is filled with misunderstanding and opposition. From the first, proponents of the study of this major portion of american culture made clear that they were interested in making popular culture a supplement to the usual courses in such fields as literature, sociology, history, philosophy, and the other humanities and social sciences; nobody proposed that study of popular culture replace the other disciplines, but many suggested that it was time to reexamine the accepted courses and see if they were still viable. Opposition to the status quo always causes anxiety and oppostion, but when the issues are clarified, often oppoosition and anxiety melt away, as they are now doing.
Phenomenology and Aesthetics
and the one in the middle which judges as he enjoys and enjoys as he judges. This latter kind really reproduces the work of art anew. The division of our Symposium into three sections is justified by the fact that phenomenology, from Husserl, Heidegger, Moritz Geiger, Ingarden, in Germany and Poland, Merleau-Ponty, Paul Ricoeur, E. Levinas in France, Unamuno in Spain, and Tymieniecka, in the United States, have revealed striking coincidences in trying to answer the following questions: What is the philosophical vocation of literature? Does literature have any significance for our lives? Why does the lyric moment, present in all creative endeavors, in myth, dance, plastic art, ritual, poetry, lift the human life to a higher and authentically human level of the existential experience of man? Our investigations answer our fundamental inquiry: What makes a literary work a work of art? What makes a literary work a literary work, if not aesthetic enjoyment? As much as the formation of an aesthetic language culminates in artistic creation, the formation of a philosophical language lives within the orbit of creative imagination.
Science, Technology and Medicine in Colonial India
Interest in the science, technology and medicine of India under British rule has grown in recent years and has played an ever-increasing part in the reinterpretation of modern South Asian history. Spanning the period from the establishment of East India Company rule through to Independence, David Arnold's wide-ranging and analytical survey demonstrates the importance of examining the role of science, technology and medicine in conjunction with the development of the British engagement in India and in the formation of Indian responses to western intervention. One of the first works to analyse the colonial era as a whole from the perspective of science, the book investigates the relationship between Indian and western science, the nature of science, technology and medicine under the Company, the creation of state-scientific services, 'imperial science' and the rise of an Indian scientific community, the impact of scientific and medical research and the dilemmas of nationalist science.
