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Characteristically American
Her articles have appeared in the Journal of the Civil War Era and Markers: The Annual Journal of the Association for Gravestone Studies.
The Mummy's Curse
A quirky history that offers a new way of understanding the myth of the mummy's curse. Roger Luckhurst provides a startling path through the cultural history of Victorian England and its colonial possessions.
Grimoires
Grimoires are books of spells that were first recorded in the Ancient Middle East and which have developed and spread over the ensuing millennia.
Country Boys and Redneck Women
Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender ...
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Encyclopedia of Reincarnation and Karma
Featuring over 1,200 topical entries arranged alphabetically, this encyclopedia provides diverse and detailed coverage of the related subjects of reincarnation and karma. Its in-depth examination ranges from ancient beliefs to those of the present, incorporating all relevant world cultures. A series of broad thematic entries cover foundational aspects while over a thousand highly focused entries deal with various societies and organizations which support the concepts of reincarnation and karma; specific religious groups, sects, and associations; key individuals both historic and modern; and related beliefs, concepts, and practices.
The Essential Guide to Mummy Literature
Few historical relics have exerted such a hold on our imaginations as the mummy. In 1834, Thomas J. Pettigrew's A History of Egyptian Mummies was the first scholarly work wholly devoted to the subject, providing, for its time, a remarkable analysis of the different mummification techniques used by the ancient embalmers. Such volumes of serious nonfiction have been supplemented over the years by additional works, both scholarly and otherwise, as well as works of fiction that incorporate and expand upon mummy lore. Indeed, the popular concept of the mummy as a malevolent monster dates back to the nineteenth century, when stories about mummies rising from the dead to terrify the living first ca...
The Mummy
Ghoulish figures come alive as each book in this series examines the origin of the monster folklore and mythology and their rise to popularity as media icons of today.
After Dracula
After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.
Planks of Reason
The original edition of Planks of Reason was the first academic critical anthology on horror. In retrospect, it appeared as a kind of homage to the "golden age" of the American horror film, as this genre played an increasing role in film culture and American life. This revised edition retains the spirit of the original, but also offers new takes on rediscovered classics and recent developments in the genre.
