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Sacred Space, Sacred Sound
Visionary singer Susan Hale believes that early peoples deliberately built their structures to enhance natural vibrations. She takes us around the globe-from Stonehenge and New Grange to Gothic cathedrals and Tibetan stupas in New Mexico-to explore the acoustics of sacred places. But, she says, you don't have to go to the Taj Mahal: The sacred is all around us, and we are all sound chambers resonating with the One Song.
Letters of Susan Hale ..
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
LETTERS OF SUSAN HALE
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Emma Oliver and the Song of Creation
Eleven-year-old Emma doesn’t know that she comes from generations of tree singers, passed from mother to daughter. She doesn’t believe she can sing. Her ailing grandmother has just come to live with the family. Her father is hardly ever at home. Her mother has been acting strange. To add to Emma’s troubles, her mother’s great uncle from England is coming to stay. Then, a strange old woman wearing a hat full of feathers appears mysteriously in her garden. She gives Emma a white swan feather that emits a haunting melody. Emma’s only solace is the oak tree in her garden, which she names Annie Oakley. What she does not yet know is that Annie is part of a network of tree spirits who disguise themselves as old women. These spirits have come to Peachtree City to help Emma remember her mission to sing the Song of Creation and save the Great Mother tree.
The Quest
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Supreme Court
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Contemporary Irish Writing and Environmentalism
This book examines how the Irish environmental movement, which began gaining momentum in the 1970s, has influenced and been addressed by contemporary Irish writers, artists, and musicians. It examines Irish environmental writing, music, and art within their cultural contexts, considers how postcolonial ecocriticism might usefully be applied to Ireland, and analyzes the rhetoric of Irish environmental protests. It places the Irish environmental movement within the broader contexts of Irish national and postcolonial discourses, focusing on the following protests: the M3 Motorway, the Burren campaign, the Carnsore Point anti-nuclear protest, Shell to Sea, the turf debate, and the animal rights movement.
Salt Prayers
SALT PRAYERS / POEMS, a tangy and rich chronological collection of poems ranging from molecular flakes to imaginal scalings of rare and lofty mountains, written between May 29 -- October 24, 1998 by the poet of Dawn Visions (City Lights, 1964), Burnt Heart (City Lights, 1972), The Floating Lotus Magic Opera Company (1967-69), The Desert is the Only Way Out, The Chronicles of Akhira (Zilzal Press), The Ramadan Sonnets (Jusoor/City Lights, 1996), The Blind Beekeeper (Jusoor/Syracuse University Press, 2002) and The Ecstatic Exchange Series, beginning with Mars & Beyond, and Laughing Buddha Weeping Sufi (2005).
Cool Town
In the summer of 1978, the B-52’s conquered the New York underground. A year later, the band’s self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52’s into the vanguard of the new American music that would come to be known as “alternative,” including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52’s, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athen...
