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Susan Motherway illustrates the transformative impact of globalization on Irish traditional song performance by examining the ways in which performers mediate the divide between local and global markets. The book portrays patterns of musical change extant within the tradition as a result of globalization, and acknowledges music as a medium for renegotiating an Irish cultural identity within the global.
In The Globalization of Irish Traditional Song Performance Susan Motherway examines the ways in which performers mediate the divide between local and global markets by negotiating this dichotomy in performance practice. In so doing, she discusses the globalizing processes that exert transformative influences upon traditional musics and examines the response to these influences by Irish traditional song performers. In developing this thesis the book provides an overview of the genre and its subgenres, illustrates patterns of musical change extant within the tradition as a result of globalization, and acknowledges music as a medium for re-negotiating an Irish cultural identity within the globa...
An in-depth study of the nineteenth-century London ballad-singer, a central figure in British cultural, social and political life.
Whether carried by emigrants and exiles, or distributed by commercial networks, Irish traditional music is one of the most popular World Music genres. Clare, at the western edge of Europe on Ireland's Atlantic seaboard, enjoys unrivaled status as a Home of the Music, a magnet for tourists and aficionados eager to enjoy the authentic sounds of Ireland. Gearóid Ó hAllmhuráin - a fourth generation Clare concertina player and an internationally recognized authority on Irish traditional music- unveils the inner sanctum of this soundscape with the deft skills of a native storyteller and the panoptic lens of a transdisciplinary scholar.
Forgetful Remembrance examines the paradoxes of what actually happens when communities persistently endeavour to forget inconvenient events. The question of how a society attempts to obscure problematic historical episodes is addressed through a detailed case study grounded in the north-eastern counties of the Irish province of Ulster, where loyalist and unionist Protestants -- and in particular Presbyterians -- repeatedly tried to repress over two centuries discomfiting recollections of participation, alongside Catholics, in a republican rebellion in 1798. By exploring a rich variety of sources, Beiner makes it possible to closely follow the dynamics of social forgetting. His particular foc...
This two-volume encyclopedia profiles the contemporary culture and society of every country in Europe. Each country receives a chapter encompassing such topics as religion, lifestyle and leisure, standard of living, cuisine, gender roles, relationships, dress, music, visual arts, and architecture. This authoritative and comprehensive encyclopedia provides readers with richly detailed entries on the 45 nations that comprise modern Europe. Each country profile looks at elements of contemporary life related to family and work, including popular pastimes, customs, beliefs, and attitudes. Students can make cross-cultural comparisons-for instance, a student could compare social customs in Denmark ...
The history of Irish traditional music, song and dance from the mythological harp of the Dagda right up to Riverdance and beyond. Exploring an abundant spectrum of historical sources, music and folklore, this guide uncovers the contribution of the Normans to Irish dancing, the role of the music maker in Penal Ireland, as well as the popularity of dance tunes and set dancing from the end of the 18th century. It also follows the music of the Irish diaspora from as far apart as Newfoundland and the music halls of vaudeville to the musical tapestry of Irish America today.
The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agreement identity narratives in a “post-conflict” era. Sounding Dissent draws on three years of sustained fieldwork within Belfast's rebel music scene, in-depth interviews with republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.The book examines the potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but also play a central role in the reproduction of conflict and exclusion in times of peace.
This book concerns the foundation and development of the National Folk Theatre of Ireland, which has recently celebrated 50 years of performances. Also called 'Siamsa Tíre', it examines the ways in which the Theatre provides a locus for promoting and transmitting customary knowledge that had become lost due to modernisation and urbanisation. It also interrogates critically the role of the Theatre in presenting and representing local traditions to non-local audiences, tourism being a key component in the sustainable continuation of expressive culture.The book addresses three issues. First, it considers performance practice at the Theatre with reference to embodiment and identity. Second, it ...